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Reproducing the Fourth Reich

Elizabeth Bridges

Elizabeth Bridges is assistant professor of German at Rhodes College in Memphis, Tennessee. Author affiliation details are correct at time of print publication.

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Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book chapter

2

... Rosenfeld, The World Hitler Never Made: Alternate Histories and the Memory of Nazism (New York: Cambridge University Press, 2005). The 1978 film The Boys from Brazil details an investigation by renowned ‘Nazi hunter’ Ezra Lieberman (modeled...

Introduction: Cinema, Globalization, and the Posthuman Object

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book chapter

1

... no doubt been a significant number of British films that have highlighted the importance of Great Britain’s colonial past in the current era of globalization (for a comparison between British and French films of this kind, see Ezra and Rowden...

Exotic Objects

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book chapter

1

... in Princesse Tam-Tam in a montage sequence that conveys the Princess of Parador’s burgeoning fame through the display of increasingly caricatural representations of Josephine Baker herself; see Ezra 2000a: 123–24). It is significant that the pose...

Posthuman Objects

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book chapter

1

... Nora’s distinction between history and memory is clearly grounded in the Noble Savage myth, relying upon primitivist stereotypes (see Ezra 2000a: 69–70). As Mark Poster has pointed out, “Such a binary opposition fails to account...

Consuming Objects

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book chapter

1

... maternal capacity is largely expressed specifically through their skills in cooking and in toilet training the children in their care. The woman for whom Aibileen works, Elizabeth, is shown to be a “bad” mother on several occasions when she...

Objects of Desire

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book chapter

0

...As the previous chapter demonstrated, the fetishistic logic of substitution in which one thing stands in for another underpins the construction of group identities, which work by disavowing differences among individuals and imposing them...

Part-Objects

Elizabeth Ezra

Elizabeth Ezra is Professor of Cinema and Culture at the University of Stirling in Scotland. Major publications include: The Colonial Unconscious (2000); Georges Méliès: The Birth of the Auteur (2000); Jean-Pierre Jeunet (2008); European Cinema (2004); and Transnational Cinema: The Film Reader (2006) as well as numerous contributions to scholarly journals including Screen and Yale French Studies. Current work includes projects on screen tests and on the posthuman in children's literature and cinema. Author affiliation details are correct at time of print publication.

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The Cinema of Things : Globalization and the Posthuman Object

Bloomsbury Academic, 2017

Book chapter

0

...In previous chapters, I have examined discourses that redraw the boundaries between objects and humans. The force of this conceptual remapping is so great that it affects even expressions of resistance against commodification and planned...