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Remnants of Palestine, or, Archaeology after Auschwitz

Henrik Gustafsson

Henrik Gustafsson is a postdoctoral fellow at the Department of Culture and Literature, University of Tromsø, Norway and a member of the Nomadikon Centre of Visual Culture. He is the author of Out of Site: Landscape and Cultural Reflexivity in New Hollywood Cinema, 1969-1974 (2008) and the editor (together with Asbjørn Grønstad) of Ethics and Images of Pain (2012). Author affiliation details are correct at time of print publication.

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

2

...I feel like an occupied country. Change lies between the images. Pilgrimage and profanation In the early summer of 1963 Pier Paolo Pasolini retraced the itinerary of Christ along the border of Israel and Jordan, scouting locations...

Introduction

Asbjørn Grønstad

Asbjørn Grønstad is Professor of Visual Culture in the Department of Information Science and Media Studies, University of Bergen, Norway, where he is also the director of the Nomadikon Center for Visual Culture. His most recent books are Ethics and Images of Pain (co-edited with Henrik Gustafsson, 2012) and Screening the Unwatchable: Spaces of Negation in Post-Millennial Art Cinema (2011) Author affiliation details are correct at time of print publication.

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Henrik Gustafsson

Henrik Gustafsson is a postdoctoral fellow at the Department of Culture and Literature, University of Tromsø, Norway and a member of the Nomadikon Centre of Visual Culture. He is the author of Out of Site: Landscape and Cultural Reflexivity in New Hollywood Cinema, 1969-1974 (2008) and the editor (together with Asbjørn Grønstad) of Ethics and Images of Pain (2012). Author affiliation details are correct at time of print publication.

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

4

... Agamben, “For an Ethics of the Cinema”, trans. John V. Garner and Colin Williamson, Cinema and Agamben: Ethics, Biopolitics and the Moving Image, Henrik Gustafsson and Asbjørn Grønstad (eds) (New York: Bloomsbury, 2014), 22. Agamben...

Engaging Hand to Hand with the Moving Image

Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

0

...My translation is based upon the original French text: “Mais je vais vous faire une confidence bien plus terrible: je n’aime pas le cinéma, sauf quand je tourne; alors, il faut savoir ne pas être timide avec la caméra, lui faire violence...

Cinema and History

Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

0

...Translated by John V. Garner and Colin WilliamsonOne of the principal theses of Godard’s work seems to me to concern the essential, constitutive link between history and cinema. What historical task belongs properly to the cinema...

Biopolitics of Gesture

Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

0

...The genealogy that Giorgio Agamben provides for cinema in his short but powerful text “Notes on Gesture” strikes in its singularity. Rather than thinking of cinema as an art of optical spectacles, he approaches the medium in terms...

Silence, Gesture, Revelation

Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

0

...Why do you carry on doing this? The beauty of the gesture.L’éthique c’est l’esthétique de dedans.The short, schematic article by Giorgio Agamben on Jean-Luc Godard’s Histoire(s) du cinéma (1988–98) published in Le Monde in October 1995...

For an Ethics of the Cinema

Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

0

...Translated by John V. Garner and Colin Williamson Type In his “Notes sur les Tableaux parisiens de Baudelaire,” drafted in French during the last years of his exile in Paris, Walter Benjamin evokes a “nightmare” familiar to anyone who...

Film-of-Life

Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

0

...From Plato’s anxieties concerning the simulacra’s disruption of the distinction between original and copy, to Lacan’s implicit critique of the imaginary as the site of doubling and deadly violence, Western metaphysics attests...

Gesture, Time, Movement

Janet Harbord

Janet Harbord is Professor of Film Studies at Queen Mary, University of London, UK. She is the author of several books on film and philosophies of the moving image, including Chris Marker: La Jetée (2009), The Evolution of Film (2006) and Film Cultures (2002). She is the recipient of grants from the AHRC, EPSRC and the Leverhulme Trust. Author affiliation details are correct at time of print publication.

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Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

0

...Across the corpus of Giorgio Agamben’s work lie scattered a number of speculative propositions on what may be said to define or characterize the species of the human. One of the most forceful of these speculations occurs in the introduction...

Montage and the Dark Margin of the Archive

Cinema and Agamben : Ethics, Biopolitics and the Moving Image

Bloomsbury Academic, 2014

Book chapter

2

... feature of the human visual sensory apparatus.Giorgio Agamben, “What is the Contemporary?” in Nudities (Stanford: Stanford University Press, 2011), 10–19. I am indebted to Henrik Gustafsson for pointing out this connection to me. Darkness...