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Feminism and Cléo from 5 to 7

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

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Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

2

... on consumerism as empowerment, see Diane Negra, What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism (London: Routledge, 2009); Hilary Radner, Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture (New York:...

Feminist Film Theory

Hilary Neroni

Hilary Neroni is Professor of Film and Television Studies at the University of Vermont, USA. She is the author of The Subject of Torture (2015) and The Violent Woman (2005), and has also published numerous essays on female directors. Author affiliation details are correct at time of print publication.

Search for publications

Feminist Film Theory and Cléo from 5 to 7

Bloomsbury Academic, 2016

Book chapter

2

... to but also that they have to live with the contradictions that these expectations often pose in relation to their own desires. In considering her films relation to the woman’s film, film theorist Hilary Radner sees this theme of contradiction...

Truffaut’s Apartments

Paris in the Cinema: Beyond the Flâneur : Locations, Characters, History

British Film Institute, 2018

Book chapter

4

... Femme d’à côté/The Woman Next Door (1981), could be ‘neither with nor without’.Anne Gillain, François Truffaut: le secret perdu (Paris: Hatier, 1991). See also Hilary Radner, ‘La Peau douce: François Truffaut’s Passionate Object’, in Dudley...