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In the Rearview Mirror: Curating Riefenstahl, Filmmuseum Potsdam, 1999

Riefenstahl Screened : An Anthology of New Criticism

Continuum, 2008

Book chapter

4

... desire?) to occupy center stage themselves. Ingeborg Majer-O'Sickey Frau Dalichow, how did you come to the idea of undertaking the exhibit of Riefenstahl's work and life? Bärbel Dalichow Well, I should mention that in our programming...

Representing the Body in Cyberspace: Riefenstahl's Self-staging (Notes on Leni Riefenstahl's Web Page)

Martina Thiele

,

Martina Thiele

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Ingeborg Majer-O'Sickey

Ingeborg Majer-O'Sickey

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and

Neil Christian Pages

Neil Christian Pages is Assistant Professor of German and Comparative Literature at the Binghamton University SUNY, where he teaches courses in literary theory, cultural history, and European literature. His publications include essays on Kierkegaard, Nietzsche, Georg Brandes, and W.G. Sebald. He is currently at work on a manuscript on memorials, public memory and other acts of commemoration, tentatively titled On Commemoration: Memory.Identity.Ideology. Author affiliation details are correct at time of print publication.

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Riefenstahl Screened : An Anthology of New Criticism

Continuum, 2008

Book chapter

2

...I. From the depth of the sea a body glides upward into brilliant blue light: This is Leni Riefenstahl. The scene is from her last film, Impressions under Water, broadcast by the Arte television channel in 2002 in honor of her one hundredth...