Skip to main content
Loading
Loading

Results

Sort By:  1-7 of 7 (1 page)
Results per page:
         

Acting in Cinema

James Naremore

James Naremore is Emeritus Chancellors’ Professor at Indiana University. He is the author of a number of books, including Acting in the Cinema (1988), The Films of Vincente Minnelli (1993), More than Night: Film Noir in its Contexts (1998; 2008) and On Kubrick (2007). Author affiliation details are correct at time of print publication.

Search for publications

The Cinema Book

British Film Institute, 2007

Book

2

... established.Their appearances on screen always create a double impression: it is John Wayne getting on a horse in The Searchers (1956), not simply Ethan Edwards (Wayne, incidentally, is ‘played’ by a man whose real name was Marion Morrison). Because...

Introduction

James Morrison

James Morrison is Professor of Literature and Film at Claremont McKenna College, USA. He is the author, co-author or editor of nine books, including Roman Polanski (2007) and Hollywood Reborn (2010). Author affiliation details are correct at time of print publication.

Search for publications

Auteur Theory and My Son John

Bloomsbury Academic, 2018

Book

1

... the present study, see James Naremore, “Authorship, Auteurism, and Cultural Politics,” in An Invention Without a Future: Essays on Cinema (Berkeley: University of California Press, 2014), 15–32.Peter Wollen, Signs and Meaning in the Cinema (London:...

The Wicker Man

James Rose

James Rose is an independent scholar specializing in Gothic and horror cinema. He has published in a range of international journals, including Vertigo, Splice, Senses of Cinema, Offscreen, MediaMagazine, and Rue Morgue. Author affiliation details are correct at time of print publication.

Search for publications

Beyond Hammer : British Horror Cinema Since 1970

Auteur, 2009

Book

1

... (Edward Woodward), flies to the remote island of Summerisle to investigate a report of a missing child, Rowan Morrison. Upon landing, his first interaction with the locals is predictably strained, with the Harbour Master being difficult,...

Conclusion

James Morrison

James Morrison is Professor of Literature and Film at Claremont McKenna College, USA. He is the author, co-author or editor of nine books, including Roman Polanski (2007) and Hollywood Reborn (2010). Author affiliation details are correct at time of print publication.

Search for publications

Auteur Theory and My Son John

Bloomsbury Academic, 2018

Book

0

...After auteurism In 1964, two young Frenchmen traveled to Hollywood, one fat and the other skinny, like Laurel and Hardy. In the hope of ingratiating themselves with the editors of Cahiers du Cinéma, they had come to bring the news...

Auteurism and Film Theory

James Morrison

James Morrison is Professor of Literature and Film at Claremont McKenna College, USA. He is the author, co-author or editor of nine books, including Roman Polanski (2007) and Hollywood Reborn (2010). Author affiliation details are correct at time of print publication.

Search for publications

Auteur Theory and My Son John

Bloomsbury Academic, 2018

Book

1

... ago,” Foucault notes, coolly divesting Barthes of his scoop.Michel Foucault, “What Is an Author?” in Aesthetics, Ethics, and Epistemology. Vol. II, Robert Hurley et al., trans., James D. Faubion, ed. (New York: New Press, 1998), 207. “[I]n...

The Strange Case of My Son John

James Morrison

James Morrison is Professor of Literature and Film at Claremont McKenna College, USA. He is the author, co-author or editor of nine books, including Roman Polanski (2007) and Hollywood Reborn (2010). Author affiliation details are correct at time of print publication.

Search for publications

Auteur Theory and My Son John

Bloomsbury Academic, 2018

Book

1

... a loving relationship to his grown son (James Brown). In The Bells of St. Mary’s, the industrialist who wants to raze the parish school to make way for a parking lot is no heartless titan but an anxious, put-upon softy, played by the loveable...

The afropolitan present

James S. Williams

James S. Williams is Professor of Modern French Literature and Film at Royal Holloway, University of London, UK. He is the author of Encounters with Godard: Ethics, Aesthetics, Politics (2016), Space and Being in Contemporary French Cinema (2013) and Jean Cocteau (2008). He is also co-editor of May 68: Rethinking France’s Last Revolution (2011, with Anna-Louise Milne and Julian T. Jackson), For Ever Godard (2004, with Michael Temple and Michael Witt) and Gender and French Cinema (2001, with Alex Hughes). Author affiliation details are correct at time of print publication.

Search for publications

Ethics and Aesthetics in Contemporary African Cinema : The Politics of Beauty

Bloomsbury Academic, 2019

Book

1

... and anachronistic episodes that disturb the linear time of progress, adjust[ing] the temporal logics that condemned black subjects to prehistory’ (Eshun 2003). Following Toni Morrison among others, Eshun positions African slaves as the first modern...