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Ethics in Narrative Form and Content

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book

0

...This chapter uses Tim Robbins’ 1995 film Dead Man Walking to illustrate connections between narrative and ethics, beginning with an appraisal of the ethical content of narratives, considering the different ways in which stories can...

Under the Influence: Vice, Violence, and Villainy

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book

0

...Debates about media ethics and the negative influence of screen texts are frequently staged in terms of representation (often in the context of mis-representation, stereotyping, and identity politics), or in terms of the perception...

Intersubjective Perception: Phenomenology, Embodiment, and Evaluation

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book

1

... a valuable part in the process of approaching ethical understanding, which by its very nature entails shared understandings of values. Another phenomenological film theorist, Harald Stadler, understands film audiences to be involved in an active...

Introduction

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book

0

...Eternal Sunshine of the Spotless Mind: Closing image of Joel and Clementine on Montauk beach.The closing image of Eternal Sunshine of the Spotless Mind (Gondry, 2004) shows Joel and Clementine running along the frosty Montauk beach, playing...

Seeing in the Dark: Attentive Engagement

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book

0

...This chapter proposes a way of approaching ethical understanding through sensitive, intentionally directed perception. In order to establish the value of attentive engagement in the cinema, the discussion moves from arguing for the ethical...

Losing the Plot: Narrative Structure and Ethical Identity

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book

0

...This chapter questions the role of narration in understanding ourselves and our interactions with others. Like its sister Mulholland Drive (2001), the film Lost Highway (David Lynch, 1997) raises questions of personal identity...

Conclusion: Ethical Transformation

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book

0

...As Stanley Cavell's work attests, the most powerful aspect of cinematic experience is what we take with us when we walk out of the movies: the enduring memories, ideas, and insights that we draw from film, which go on to figure in our own...

Resistance and Responsiveness: Emotion and Character Engagement

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book

0

...Narrative is implicated in ethical life by virtue of its content, form, and structure. In addition, the kinds of interpretive resources stories call into play and the responses they give rise to can also be of ethical significance...

Imagination: Inner Sight and Silent Voices

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Pulling Focus : Intersubjective Experience, Narrative Film, and Ethics

Continuum, 2008

Book

1

... of imagination that enables a productive exploration of its ethical dimensions through an examination of the nature of imagination at play in film texts.The Piano, directed by Jane Campion (1992), and Michel Gondry's Eternal Sunshine of the Spotless...

Seeing, Sensing Sound

Andrea Rassell

,

Andrea Rassell

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Jenny Robinson

,

Jenny Robinson

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Darrin Verhagen

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Darrin Verhagen

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Sarah Pink

,

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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and

Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Making Sense of Cinema : Empirical Studies into Film Spectators and Spectatorship

Bloomsbury Academic, 2016

Book

2

...Introduction Visual studies scholars have often suggested that we live in an ocular age organized around the primacy and potency of looking and seeing (Berger 1972; Evans and Hall, 1999). Similarly, in film and cinema studies...