...In Chapter 2, Laurent Jullier and Jean-MarcLeveratto reference Delon’s mythical status as pin-up, going on to situate his career in relation to the sociological concept of emploi, via the writings of Erving Goffman. Drawing on examples...
... (Leveratto 2000: 403–4). This position, using Cahiers du cinéma critics as models of cinema lovers respectful of the art of the film (Sontag 1996; De Baecque 2003), tends to oppose ’true cinephilia’ and contemporary movie fandom,...
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