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Introduction: 1999–2019, and Beyond: A Post-Kubrickian Odyssey

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

2

...We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?And the stars look very different today. Black Stars In 1969, the song “Space Oddity,” by a young artist named David Bowie, reached the top...

Glimpses of Eternity: Stanley Kubrick’s Time Machines

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

4

... Pip Chodorov and Jeremi Szaniawski. 2018. “‘The Absolute and Ultimate Manifestation of the Power of the Mind Over Technology’: Gaspar Noé talks 2001: A Space Odyssey.” Senses of Cinema. Issue 87. June....

Of intruders (and guests): The films of Michael Haneke and Aleksey Balabanov

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book

4

... the cinematic modernist idiom (long take, anomie, solitude, writerly compositions, quoting Bergman in extenso,See Jeremi Szaniawski, “Soli deo gloria? Art, evil and Bergman’s legacy in Michael Haneke’s The White Ribbon,” Tativille, 2010. Available...

“Once Upon Her Time?”: The Cinema of Valérie Massadian, or, Living and Creating at the Periphery of Patriarchy

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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On Women’s Films : Across Worlds and Generations

Bloomsbury Academic, 2019

Book

2

...First and foremost I wish to thank two people who helped make this chapter a reality: Ivone Margulies for her numerous and invaluable feedback and Valérie Massadian herself for kindly and generously answering some key questions sharing...

Introduction: On Women’s Films: Moving Thought Across Worlds and Generations

Ivone Margulies

Ivone Margulies is Professor in the Film and Media Studies Department at Hunter College, CUNY. She is the author of In Person: Reenactment in Postwar and Contemporary Cinema (2018), Nothing Happens: Chantal Akerman’s Hyperrealist Everyday (1996), and is the editor of Rites of Realism: Essays on Corporeal Cinema (2003). Author affiliation details are correct at time of print publication.

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Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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On Women’s Films : Across Worlds and Generations

Bloomsbury Academic, 2019

Book

4

... the chapters by Elena Gorfinkel, Ivone Margulies, Andréa França, Jeremi Szaniawski, and Liza Johnson. See also Gorfinkel (2012); Redrobe’s (2016). Conventions central to activist representation of minority voices or of class and gender...

Introduction

Seung-hoon Jeong

Seung-hoon Jeong is Assistant Professor of Cinema Studies at New York University Abu Dhabi. He wrote Cinematic Interfaces: Film Theory After New Media and co-translated Jacques Derrida’s Acts of Literature into Korean (both 2013). Author affiliation details are correct at time of print publication.

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and

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book

4

... political meaningfulness and “power” that cinema might become the most profoundly political, and not only just in its unconscious, as Jeremi Szaniawski argues in his chapter on Michael Haneke and Aleksey Balabanov, and their take...