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Transitional found footage practices: Video in and out of the cinematic fragments

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

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Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

0

...Introduction: Defining transitional found footage practices In a roundtable discussion on obsolescence and American avant-garde cinema, critic Paul Arthur proclaimed: “The much-vaunted war between digital or video, and film...

Cinematic video installations: Hybridized apparatuses inside the black box

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

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Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

0

...The gallery is not a repository for the splinters and debris of cinema, which has not so much “expanded” . . . as exploded. And video is clearly the agent that has enabled the overlap of film and gallery.Chris Darke, “Cinema Exploded...

Intermedial essay films: “Memories-in-between”

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

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Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

0

...Introduction: Essay films between the filmic and the post-filmic The essay film, which emerged in postwar Europe and has been increasingly significant in contemporary film culture, is viewed as a nebulous method of filmmaking...

Videographic moving pictures: Remediating the “film stilled” and the “still film”

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

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Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

0

...Introduction: “moving pictures” in the post-photographic era In fall 1977, art critic Douglas Crimp organized an exhibition that showcased the work of Jack Goldstein, Robert Longo, and others. He then placed these works under...

Afterword

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

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Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

0

...Andrew Neumann’s Double Psycho (2011, Figure 6.1) alternates key sequences from both Hitchcock’s original movie and Gus Van Sant’s 1998 remake at an extremely fast rate, such that the work’s images appear as the rapid-fire cutting between...

Digital glitch video and mixed-media abstraction: Materialism and hybrid abstraction in the digital age

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

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Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

0

...Introduction: Digital abstract moving images and hybridity In Compression Study # 1 (Untitled data mashup) (2007, Figure 2.1), a mix of the music videos for Rihanna’s “Umbrella” and The Cranberries’ “Zombie,” the viewer is able...

Introduction

Jihoon Kim

Jihoon Kim is Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in Screen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac, and the anthologies Global Art Cinema: New Histories and Theories (2010), and Taking Place: Location and the Moving Image (2011), among others. Author affiliation details are correct at time of print publication.

Search for publications

Between Film, Video, and the Digital : Hybrid Moving Images in the Post-Media Age

Bloomsbury Academic, 2016

Book chapter

0

...Hybrid moving images and medium specificity Media artist Jim Campbell has produced a number of pieces consisting of images made with LED displays of photographic and filmic materials. In these pieces, the low-resolution electronic...