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Shaping Abstractions: Eye Tracking Experimental Film

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Jodi Sita

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

3

... before (Redmond, Sita and Vincs 2015) and as we go on to suggest in the conclusion, such interdisciplinary border-crossing deepens and enriches our understanding of how viewers engage with, and experience, the moving image. So let us now...

Seeing Animated Worlds

Craig Batty

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Adrian Dyer

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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Jodi Sita

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.

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Making Sense of Cinema : Empirical Studies into Film Spectators and Spectatorship

Bloomsbury Academic, 2016

Book chapter

2

...Introduction Whether from the point of view of history, production, reception or philosophy, screen scholarship aims to enlighten us about how film and television texts work on audiences. But how much does screen scholarship actually...

Passing Time: Eye Tracking Slow Cinema

Tessa Dwyer

Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

1

... and understanding, while also adding to the growing body of eye-tracking research currently building around non-mainstream cinema including art films and experimental cinema (see Redmond and Sita in this book; Smith and Henderson 2008; Smith...

Discordant Faces, Duplicitous Feelings: The Eye’s Affective Lures of Drive

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

1

... or forcing a spectator’s gaze pattern (2011: 5) and confirmed by later eye-tracking studies (Redmond, Sita and Vincs 2015). Thus, Refn creates moments within the film that strip it of as many forms of stimuli as it possibly can, instead...

Audiences as Detectives: Eye Tracking and Problem Solving in Screen Mysteries

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

1

... to facilitate comprehension. An eye-tracking study by Batty, Perkins and Sita (2015) observed instances where narrative cues directed gaze to contextually significant objects in the film Up (2009), even when more visually salient features were...

Introduction: The Blackest and Whitest of Swans

Tessa Dwyer

,

Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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and

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

2

... that uncovers both limitations and new possibilities within eye-tracking research. Atkinson foregrounds themes echoed in following chapters within this book, especially those by Tessa Dwyer and Claire Perkins, Sean Redmond and Jodi Sita, and Lauren...

A Proposed Workflow for the Creation of Integrated Titles Based on Eye-Tracking Data

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

0

...Introduction Abusive, creative, hybrid and integrated are just some of the many terms that have emerged in past years to describe new kinds of subtitles – titles that appear all over the screen, that imitate or contrast with the film...

Using Eye Tracking and Raiders of the Lost Ark (1981) to Investigate Stardom

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

0

...Acknowledging the impossibility for a viewer to maintain focus on a whole screen at any one time, an emerging body of work uses eye-tracking experiments to investigate viewer responses to film texts by determining where traditional filmic...

Invisible Rhythms: Tracking Aesthetic Perception in Film and the Visual Arts

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

0

...Eye tracking has proved particularly valuable in highlighting the micromovements that underpin visual perception and in doing so can provide insight into the fine-grained structures of aesthetic perception in both film and the visual arts...
... a questionnaire asking about what emotions the spectators experienced. Also, using pupil dilation as a measurement, Redmond and Sita (2013) showed in a pilot study that pupil dilation was greater when the participants watched clips with sound,...