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Meshes of the Afternoon

John David Rhodes

John David Rhodes is Senior Lecturer in Literature and Visual Culture at the University of Sussex. He is the author of Stupendous, Miserable City: Pasolini’s Rome (2007) and Meshes of the Afternoon (2011), and the co-editor (with Brian Price) of On Michael Haneke (2010), and (with Elena Gorfinkel) of Taking Place: Location and Moving Image (2011). He is a founding co-editor of the journal World Picture. Author affiliation details are correct at time of print publication.

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British Film Institute, 2011

Focused Study

6

Image
... but also on the work of Hollywood auteurs. It is a touchstone of women’s film-making, of modernist cinema and of modern art. John David Rhodes traces the film’s history back into the lives of Maya Deren and Alexander Hammid, but in particular...

L’avventura

John David Rhodes

John David Rhodes is Senior Lecturer in Literature and Visual Culture at the University of Sussex. He is the author of Stupendous, Miserable City: Pasolini’s Rome (2007) and Meshes of the Afternoon (2011), and the co-editor (with Brian Price) of On Michael Haneke (2010), and (with Elena Gorfinkel) of Taking Place: Location and Moving Image (2011). He is a founding co-editor of the journal World Picture. Author affiliation details are correct at time of print publication.

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Italian Cinema from the Silent Screen to the Digital Image

Bloomsbury Academic, 2020

Book

3

...In L’avventura (1960), Antonioni creates a situation in which the film’s spectators are given too little and thus too much to do. Even when we are attending to the film’s details, there is always the problem that we are looking at the wrong...

Antonioni and The Development of Style

John David Rhodes

John David Rhodes is Senior Lecturer in Literature and Visual Culture at the University of Sussex. He is the author of Stupendous, Miserable City: Pasolini’s Rome (2007) and Meshes of the Afternoon (2011), and the co-editor (with Brian Price) of On Michael Haneke (2010), and (with Elena Gorfinkel) of Taking Place: Location and Moving Image (2011). He is a founding co-editor of the journal World Picture. Author affiliation details are correct at time of print publication.

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Antonioni : Centenary Essays

British Film Institute, 2011

Book

4

... difficult to read and backs are often turned towards the camera – are frequently set in a landscape that bears the traces of recent economic development, particularly of the implantation on the landscape of what David Harvey, following Marx,...

Interstitial,Pretentious, Alienated, Dead: Antonioni at 100

Laura Rascaroli

Laura Rascaroli is Senior Lecturer in Film Studies at University College Cork. She is the author of The Personal Camera: Subjective Cinema and the Essay Film (2009) and the co-author (with Ewa Mazierska) of From Moscow to Madrid: European Cities, Postmodern Cinema (2003), The Cinema of Nanni Moretti: Dreams and Diaries (2004), and Crossing New Europe: Postmodern Travel and the European Road Movie (2006). She is also the co-editor (with Patrick O’Donovan) of The Cause of Cosmopolitanism: Dispositions, Models, Transformations (2010). Author affiliation details are correct at time of print publication.

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and

John David Rhodes

John David Rhodes is Senior Lecturer in Literature and Visual Culture at the University of Sussex. He is the author of Stupendous, Miserable City: Pasolini’s Rome (2007) and Meshes of the Afternoon (2011), and the co-editor (with Brian Price) of On Michael Haneke (2010), and (with Elena Gorfinkel) of Taking Place: Location and Moving Image (2011). He is a founding co-editor of the journal World Picture. Author affiliation details are correct at time of print publication.

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Antonioni : Centenary Essays

British Film Institute, 2011

Book

6

... want’.Adam Phillips, ‘The Value of Frustration: An Interview with Adam Phillips’, with Jane Elliott and John David Rhodes, World Picture no. 3 (Summer 2009), Antonioni’s dead time...

Raising the Dead

John Boorman

,

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Tom Luddy

,

David Thomson

David Thomson

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Walter Donohue

Walter Donohue

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Projections 4 : Film-makers on Film-making

Faber and Faber Limited, 1995

Book

1

... the eighteen-hour Baseball, which played in September. These are the bare facts. For the rest, let the interview reveal the bracing sensibility of Ken Burns and his sense of America and what it might be. David Thomson: You told me something Ted...