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Lunch and a Book: Observations on Director/Cameraman Relations

Projections 4 : Film-makers on Film-making

Faber and Faber Limited, 1995



... in a real world. I did try to make the desert exteriors visually beautiful for the audience, but they were generally ignored by the two characters who were blind to their surroundings.John Seale (photo by Bill Rubenstein)On Dead Poets Society,...

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John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was Catch Us If You Can in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Projections 6 : Film-makers on Film-making

Faber and Faber Limited, 1996



... and play the first time from a score they have never seen before.John Seale, with whom I worked on Beyond Rangoon, told his agent that he did not want the credit of Director of Photography because there is only one director on a picture. His...