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Sampling in Rotterdam

Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

2

...This year [1998] the Rotterdam Film Festival ran for twelve days in late January and early February. But I could only attend the first half – five days apart from opening night. And thanks to a vidéothèque at the festival with copies...

Dead Man

Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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British Film Institute, 2000

Focused Study

4

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... admirers has grown rapidly. Indeed Dead Man, with its dark and unconventional treatment of violence, racism and capitalism, may be Jarmusch’s finest work to date. This is Jonathan Rosenbaum’s view. For him, Dead Man is both a quantum leap...

Squaring The Circle

Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

2

...Note: The following article was written in 2000 for the Chicago Reader, to coincide with the release of Jafar Panahi’s The Circle – although a differently edited version was published – and several traces of these journalistic origins have...

Spectacle, technology, and aesthetics

Jonathan Stubbs

Jonathan Stubbs is an Professor in the Faculty of Communication at Cyprus International University. Prior to this he taught at the University of East Anglia in the UK, where he also completed his PhD, and at the University of British Columbia in Canada. His book Historical Film: A Critical Introduction was published by Bloomsbury Academic in 2013. His research has also been published in various academic journals including The Historical Journal of Film and Television, The Journal of Popular Culture, The Journal of British Cinema and Television, Exemplaria, and theJournal of American Studies of Turkey. Author affiliation details are correct at time of print publication.

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Historical Film : A Critical Introduction

Bloomsbury Academic, 2009

Book

2

... the ‘stretched-out frontality’ of the CinemaScope format, and continues in a marketplace where slaves are being auctioned.Roland Barthes, “On CinemaScope,” trans. Jonathan Rosenbaum, Jouvert: A Journal of Postcolonial Studies 3/3 (1999). Accessed...

Greed

Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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British Film Institute, 1993

Focused Study

4

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... source, Frank Norris’s novel McTeague, stretched the shooting schedule to inordinate lengths, resulting in a film which ran for over seven hours. Jonathan Rosenbaum has made a meticulous study of all the sources. In a fascinating piece of detective work, he reconstructs the history of one of cinema’s greatest ruins....

Two Auteurs: Masumura and Hawks

Shigehiko Hasumi

Shigehiko Hasumi

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Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

4

...Part One – Discovering Yasuzo Masumura: Reflections On Work in Progress (Jonathan Rosenbaum: 1999–2001) To appropriate one of the categories of Andrew Sarris’ The American Cinema, Yasuzo Masumura (1924–1986) is a ‘subject for further...

Movies Go Multinational

Nataša Durovičová

Nataša Durovičová

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Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

3

... suggest in my book Movie WarsJonathan Rosenbaum, Movie Wars (New York: A Capella, 2000), ‘McDonaldisation’ isn’t the same thing as ‘Americanisation’ – not if the McDonald’s outlets in Tokyo sell corn soup – and I’ve also argued elsewhere...

Open Spaces in Iran: A Conversation with Abbas Kiarostami

Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Mehrnaz Saeed-Vafa

Mehrnaz Saeed-Vafa

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

4

... To the strains of Louis Armstrong playing an instrumental version of ‘St James Infirmary’, the final credits come on.Fax sent by Jonathan Rosenbaum to Abbas Kiarostami, 18 November 1997:Dear Abbas (if I may),I’ve been moved to write you...

Movie Mutations 2: Second Round

Quintín

,

Mark Peranson

,

Mark Peranson

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Nicole Brenez

,

Nicole Brenez

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Adrian Martin

Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.

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Jonathan Rosenbaum

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

4

... this intertextual self-indulgence, I tried to end my recent book Movie Wars in the same fashion.Jonathan Rosenbaum, Movie Wars: How Hollywood and the Media Conspire to Limit What Films We Can See (Chicago: A Cappella, 2000).Furthermore, from...

Movie Mutations: Letters from (and to) Some Children of 1960

Jonathan Rosenbaum

,

Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.

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Adrian Martin

,

Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.

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Kent Jones

,

Alexander Horwath

,

Alexander Horwath

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Nicole Brenez

Nicole Brenez

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and

Raymond Bellour

Raymond Bellour

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Movie Mutations : The Changing Face of World Cinephilia

British Film Institute, 2003

Book

4

... to a special interest in the films of John Cassavetes and Philippe Garrel (as well as Jacques Rivette and Maurice Pialat)’.Jonathan Rosenbaum, ‘Comparaisons à Cannes’, Trafic no. 19, Summer 1996, p. 11. I named four members of this generation:...