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Representations 1920–50

Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

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The French Cinema Book

British Film Institute, 2018

Book chapter

2

...Why interrogate French cinema of this period through the varying topographical and geographical representations of France that it offers? There are two main reasons for my choice of this approach. In the first place, it provides...

Theory

Phil Powrie

Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK. He is Chair of the British Association for Film, Television and Screen Studies and Chief General Editor of Studies in French Cinema. Author affiliation details are correct at time of print publication.

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Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

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French Cinema: A Student’s Guide

Bloomsbury Academic, 2002

Book chapter

2

... and 1985. Recognised by many at the time as key interventions, their impact had only begun to be felt in the late 1990s in Anglophone Film Studies. Keith Reader pointed out in the mid-1980s that ‘Deleuze gazes from a place very different...

Fan as Film-maker

Keith McDonald

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

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Roger Clark

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

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Guillermo del Toro : Film as Alchemic Art

Bloomsbury Academic, 2014

Book chapter

1

... Ofelia’s self-creation is often solidified through the construction of narrative and there are multiple examples of her (as an obsessive reader) writing and realising her own narrative agency through texts; moreover, the film offers...

Introduction: Film and the invention of history

Phil Powrie

Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK. He is Chair of the British Association for Film, Television and Screen Studies and Chief General Editor of Studies in French Cinema. Author affiliation details are correct at time of print publication.

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Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

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French Cinema: A Student’s Guide

Bloomsbury Academic, 2002

Book chapter

1

... than Francophone, cinema. The reader will therefore not find references to French-speaking African cinema, nor to Swiss cinema (for example, the films of Alain Tanner), nor, finally, to Belgian cinema.We have included an annotated Bibliography...

Trauma – childhood – History: The Devil’s Backbone and Pan’s Labyrinth

Keith McDonald

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

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Roger Clark

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

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Guillermo del Toro : Film as Alchemic Art

Bloomsbury Academic, 2014

Book chapter

1

... Revolution. He changed the setting to Spain because ‘Everything seemed to fit better’.) For the modern reader, Walpole’s falling helmet may have its decidedly risible side, but the bomb in del Toro’s film is deadly serious, although...

Practice

Phil Powrie

Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK. He is Chair of the British Association for Film, Television and Screen Studies and Chief General Editor of Studies in French Cinema. Author affiliation details are correct at time of print publication.

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Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

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French Cinema: A Student’s Guide

Bloomsbury Academic, 2002

Book chapter

1

... (Harris, 2001), Bresson (Reader, 2000), Chabrol (Austin, 1999), Kurys (Tarr, 1999), Méliès (Ezra, 2000b), Renoir (O’Shaughnessy, 2000), Serreau (Rollet, 1998), Truffaut (Holmes and Ingram, 1998) and Varda (Smith, 1998), with volumes...

History

Phil Powrie

Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK. He is Chair of the British Association for Film, Television and Screen Studies and Chief General Editor of Studies in French Cinema. Author affiliation details are correct at time of print publication.

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Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

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French Cinema: A Student’s Guide

Bloomsbury Academic, 2002

Book chapter

1

... (Williams in Hughes and Reader, 1998: 273–4). His work in the rest of this period was marked by a politically inflected investigation of the image/sound relationship, across a variety of genres – from political shorts, via a subversive...

Accented Fantasy and the Gothic Perverse

Keith McDonald

Keith McDonald holds a PhD from Birkbeck College, University of London, UK, and is the Head of Programme for Media, Film Studies and Mass Communications at York St John University, UK. His research interests include popular culture, cult cinema and digital media. Author affiliation details are correct at time of print publication.

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and

Roger Clark

Roger Clark taught literature and film in UK Universities for over thirty years and has published on contemporary fiction and film. He was Senior Lecturer in Literature Studies at York St John University, UK, where he is currently Honorary Research Fellow in the Faculty of Arts. Author affiliation details are correct at time of print publication.

Search for publications

Guillermo del Toro : Film as Alchemic Art

Bloomsbury Academic, 2014

Book chapter

1

... creation. This self-creation is often solidified through the construction of narrative and there are multiple examples of Ofelia (who is an obsessive reader) writing and realizing her own narrative agency through texts. The film offers...

Conclusion

Keith M Johnston

Keith M. Johnston is Lecturer in Film and Television Studies at the University of East Anglia and author of Coming Soon: Film Trailers and the Selling of Hollywood Technology. Author affiliation details are correct at time of print publication.

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Science Fiction Film : A Critical Introduction

Berg, 2011

Book chapter

1

... the vast range of competing approaches, methodologies and potential titles that could be included within any future study. The rest is now up to you, the reader, to develop, to apply, and to challenge. The future of science fiction genre...

Introduction

Keith M Johnston

Keith M. Johnston is Lecturer in Film and Television Studies at the University of East Anglia and author of Coming Soon: Film Trailers and the Selling of Hollywood Technology. Author affiliation details are correct at time of print publication.

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Science Fiction Film : A Critical Introduction

Berg, 2011

Book chapter

1

... the science fiction genre has grown on film, how it has changed and developed over the years.To accomplish these aims, and to guide the individual reader, Science Fiction Film: A Critical Introduction is split into three distinct sections. Part...