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The Sound Edit and Clarity

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... of dialogue is not under- mined by a sound effect or drowned out by music. The producer, direc- tor, editor, and sound mixer look for more than clarity in the mix; they Dancyger Book.indb 9/10/2006 8:37:51 PM also want dramatic emphasis...

Comedy

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... with the screen story in Duck Soup (34). The audience has certain expectations from a comic character, and it is the job of the editor to make sure that the audience isn’t disappointed. Dancyger Book.indb 9/10/2006 8:36:25 PM h SiTUATiOn...

Nonlinear Editing and Digital Technology II

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

4

... Ken Dancyger, Global Scriptwriting (Boston: Focal Press, 2001), Chapter 1 for definitions of each narrative tool. 3. Ibid., 77. 4. Ibid., 161–163. 5. Patricia Cooper and Ken Dancyger, Writing the Short Film (Boston: Focal Press, 1999),...

International Advances

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... from those international advances that can be dated from 1950. 12 Dancyger Book.indb 12 9/10/2006 :33:39 PM h THE DYNAMICS OF RELATIVITY When Akira Kurosawa directed Rashomon (1951), he presented a narrative story without a single...

Innovations in Documentary I

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... (Sherman’s March, 1986) in the 1980s and of Rob Moss (The Tourist, 1992) in the 1990s. All are fundamentally cinema verité filmmakers. Finally, the Dancyger Book.indb 9/10/2006 8:36:55 PM Dogma films of Lars von Trier, Thomas Vinterberg,...

The MTV Influence on Editing II

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

2

... nOTE/rEFErEnCE 1. See discussion of hyperdrama in Ken Dancyger, “The Centrality of Metagenre” in Global Scriptwriting (Boston: Focal Press, 2001), 197–208. Hyperdrama is a genre structured as a moral fable for adults. It is plot driven, varying in tone, and is usually far from realism. It is characterized by the distinctive voice of its ...

The Sound Edit and Creative Sound

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... The images of the boy are strongly affected by the sound Ward chose to accompany them. Dancyger Book.indb 9/10/2006 8:38:00 PM A bell tolls, and liturgical music supports images of the sky. The sound of water drops gives way...

Imaginative Documentary

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... and danger in Lindsay Anderson’s O’Dreamland (1953). Narration and sound are used ironically to alter the meaning of Basil Wright’s Song of Ceylon (1934), and sound is used to under- Dancyger Book.indb 9/10/2006 8:36:46 PM mine what...

The Early Sound Film

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... recording the voice or music had to be in continu- ous synchronization so that, on playback, picture and sound would have a direct and constant relationship to one another. This system had to be Dancyger Book.indb 9/10/006 8:3:09 PM...

Conclusion

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

Search for publications

The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... to us vividly about ethics as well as aesthetics. The same is true for Truffaut and Antonioni and Kurosawa. Dancyger Book.indb 9/10/2006 8:38:43 PM When I look at today’s work, I see the height of technological achieve- ment...