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The Sound Edit and Clarity

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... of dialogue is not under- mined by a sound effect or drowned out by music. The producer, direc- tor, editor, and sound mixer look for more than clarity in the mix; they Dancyger Book.indb 9/10/2006 8:37:51 PM also want dramatic emphasis...

Comedy

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... with the screen story in Duck Soup (34). The audience has certain expectations from a comic character, and it is the job of the editor to make sure that the audience isn’t disappointed. Dancyger Book.indb 9/10/2006 8:36:25 PM h SiTUATiOn...

Nonlinear Editing and Digital Technology II

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

4

... Ken Dancyger, Global Scriptwriting (Boston: Focal Press, 2001), Chapter 1 for definitions of each narrative tool. 3. Ibid., 77. 4. Ibid., 161–163. 5. Patricia Cooper and Ken Dancyger, Writing the Short Film (Boston: Focal Press, 1999),...

International Advances

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... from those international advances that can be dated from 1950. 12 Dancyger Book.indb 12 9/10/2006 :33:39 PM h THE DYNAMICS OF RELATIVITY When Akira Kurosawa directed Rashomon (1951), he presented a narrative story without a single...

Innovations in Documentary I

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... (Sherman’s March, 1986) in the 1980s and of Rob Moss (The Tourist, 1992) in the 1990s. All are fundamentally cinema verité filmmakers. Finally, the Dancyger Book.indb 9/10/2006 8:36:55 PM Dogma films of Lars von Trier, Thomas Vinterberg,...

The MTV Influence on Editing II

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

2

... nOTE/rEFErEnCE 1. See discussion of hyperdrama in Ken Dancyger, “The Centrality of Metagenre” in Global Scriptwriting (Boston: Focal Press, 2001), 197–208. Hyperdrama is a genre structured as a moral fable for adults. It is plot driven, varying in tone, and is usually far from realism. It is characterized by the distinctive voice of its ...

Nonlinear Editing and Digital Technology I

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

2

... The future is here. The technology is available. Filmmakers need only take the risk. h NOTE/REFERENCE 1. Ken Dancyger and Jeff Rush, Alternative Scriptwriting (Second Edition) (Boston: ...

Conclusion

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... to us vividly about ethics as well as aesthetics. The same is true for Truffaut and Antonioni and Kurosawa. Dancyger Book.indb 9/10/2006 8:38:43 PM When I look at today’s work, I see the height of technological achieve- ment...

Documentary

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... Cassavetes’s Faces (1968), for example. Whether the staging of Flaherty’s work made it less reliant on the editor is questionable.3 These crossovers have become increasingly notable with the docudrama work of Peter Watkins, Ken Loach,...

Innovations in Documentary II

Ken Dancyger

Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Author affiliation details are correct at time of print publication.

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The Technique of Film and Video Editing : History, Theory, and Practice

Focal Press, 2013

Book

1

... humanist agenda to labor relations and to the delivery Dancyger Book.indb 9/10/2006 8:37:05 PM of the mail, in Night Mail (1936). In each of these films, dramatic ideas are used to enable the documentary subject. The stakes as well...