Loading
Loading
Log In

Results

Sort By:  1-7 of 7 (1 page)
Results per page:
         

Eccentric Worlds

Kim Wilkins

Kim Wilkins is a sessional scholar at the University of Sydney, Australia, where she teaches English Literature and Film Studies. She has published work on indie cinema, dialogue, Wes Anderson, and television. Author affiliation details are correct at time of print publication.

Search for publications

American Eccentric Cinema

Bloomsbury Academic, 2019

Book

2

... or their precise placement within the American eccentric world that are individually significant, but rather their relationship to one another in constructing a whole film’s diegesis.Kim Wilkins, Assembled Worlds: Intertextuality...

Conclusion: Beyond Eccentricity

Kim Wilkins

Kim Wilkins is a sessional scholar at the University of Sydney, Australia, where she teaches English Literature and Film Studies. She has published work on indie cinema, dialogue, Wes Anderson, and television. Author affiliation details are correct at time of print publication.

Search for publications

American Eccentric Cinema

Bloomsbury Academic, 2019

Book

0

...At the outset of this book I suggested that American eccentricity should be considered as a cinematic mode within the broader post-ironic turn (in literature, cinema, and other forms of popular culture) associated with the New Sincerity...

Introduction

Kim Wilkins

Kim Wilkins is a sessional scholar at the University of Sydney, Australia, where she teaches English Literature and Film Studies. She has published work on indie cinema, dialogue, Wes Anderson, and television. Author affiliation details are correct at time of print publication.

Search for publications

American Eccentric Cinema

Bloomsbury Academic, 2019

Book

0

...In Charlie Kaufman’s stop-motion film Anomalisa (2015), Michael Stone, a famous customer-service guru, is on a lecture tour promoting his book How May I Help You Help Them? Michael’s book, in line with contemporary customer service...

Defining American Eccentricity

Kim Wilkins

Kim Wilkins is a sessional scholar at the University of Sydney, Australia, where she teaches English Literature and Film Studies. She has published work on indie cinema, dialogue, Wes Anderson, and television. Author affiliation details are correct at time of print publication.

Search for publications

American Eccentric Cinema

Bloomsbury Academic, 2019

Book

0

...The term “American eccentricity” prompts some assumptions as to the formal and thematic strategies employed by films in this mode—first, that films in this category are either made in the United States or are thematically or narratively...

Hyper-Dialogue and the Eccentric Manner

Kim Wilkins

Kim Wilkins is a sessional scholar at the University of Sydney, Australia, where she teaches English Literature and Film Studies. She has published work on indie cinema, dialogue, Wes Anderson, and television. Author affiliation details are correct at time of print publication.

Search for publications

American Eccentric Cinema

Bloomsbury Academic, 2019

Book

2

... an illusion of presence in the film that, in turn, promotes affective narrative immersion.Kim Wilkins, ‘This, Please, Cannot Be That’: The Constructed World of P.T. Anderson’s ‘Magnolia,’ Sydney Studies in English 42 (2016): 60. In accordance...

Overtly Cinematic Characterization

Kim Wilkins

Kim Wilkins is a sessional scholar at the University of Sydney, Australia, where she teaches English Literature and Film Studies. She has published work on indie cinema, dialogue, Wes Anderson, and television. Author affiliation details are correct at time of print publication.

Search for publications

American Eccentric Cinema

Bloomsbury Academic, 2019

Book

2

... Presents’: Wes Anderson and the Theatricality of Mourning, in The Films of Wes Anderson: Critical Essays on an Indiewood Icon, ed. Peter C. Kunze (New York: Palgrave Macmillan US, 2014), 51–64; Kim Wilkins, “Cast of Characters,” in The Films of Wes...

Road Films and National Identity

Kim Wilkins

Kim Wilkins is a sessional scholar at the University of Sydney, Australia, where she teaches English Literature and Film Studies. She has published work on indie cinema, dialogue, Wes Anderson, and television. Author affiliation details are correct at time of print publication.

Search for publications

American Eccentric Cinema

Bloomsbury Academic, 2019

Book

2

... alignment. The Whitman brothers are depicted as familiar cinematic characters yet they are not presented as readily believable portrayals of real people.Kim Wilkins, “Cast of Characters: Wes Anderson and Pure Cinematic Characterization,”...