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...Paris Street. Day A wild crowd outside the department stores in the city centre. A terrible noise, vendors shouting, street organs grinding, children crying. Hell. The camera observes this sea of faces slightly from above. Slowly...
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...Motorway. Day (Dusk) A crowded motorway. Eight lanes of cars speeding in both directions. The rumble of lorries, roar of engines, drone of motorbikes as they weave their way among the cars. Hell. Against this background: TITLE CREDITS...
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...Michel's Flat. Day A finger taps out twelve numbers on a telephone keyboard. The camera pans quickly along the telephone cable following the tone running through it. Telephone Exchange, Special Effects, Day We hear a connection being...

Krzysztof Kieślowski

Projections 4½ : In association with Positif: Film-makers on Film-making

Faber & Faber Limited, 1995

Book

6

...In the name of the friendship I feel for you and Positif, I am answering your three questions. In all sincerity, though, I don't believe this type of enquiry can help us to grasp either the state of cinema or the state of mind of us...

Krzysztof Zanussi

Projections 4½ : In association with Positif: Film-makers on Film-making

Faber & Faber Limited, 1995

Book

3

...Most of an individual's life follows a universally-shared timetable: at roughly the same age we have our first communion, our first date, our first exams. In general, we all do our military service at the same age as well. More often than...