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... hurriedly through the halls. Aunt Wu Shu Lien! Yu's Room - Day Yu, a beautiful woman in her early 30s, is finishing packing for the convoy, wrapping a few small items in a linen...
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... Abdul, Mohammed and Bigge arrive in a vast hall. Tables are laid for an enormous dinner. A crowd of secretaries, officials, waiting staff and other servants are being instructed by Alick Yorke, the portly Director of Ceremonies. He...
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... duds, Jake. Now that's a rule. Jake standing Just how many rules is it you've got lined up for me, girl? Sue Lee Oh, don't get mad. She gets out of bed, her gown nearly transparent. She takes the crib and pushes it into the hall, then closes...

Introduction: Introduction

in Victoria & Abdul (2017)

2

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‘Mild Revolution’?

Lee Freeman

Lee Freeman is a film writer and lecturer at the University of Hull, UK. Author affiliation details are correct at time of print publication.

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Ealing Revisited

British Film Institute, 2012

Book

2

... for the studio until its demise. Similarly, another feature which makes The Proud Valley comparable to the earlier, music hall-inspired Ealing trope is the utilisation of music as a narrative device. The use of music throughout the film and its...

Drink’s Lure

Lee Grieveson

Lee Grieveson is Professor of Media History at University College London, UK. He is the author of Policing Cinema: Movies and Censorship in Early Twentieth Century America (2004); co-editor, with Colin MacCabe, of Empire and Film and Film and the End of Empire (BFI, 2011) and Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System (2018). Author affiliation details are correct at time of print publication.

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The Griffith Project Volume 6 : Films Produced in 1912

British Film Institute, 2002

Book

2

... Insert: Man opening safe Exterior of house: Man standing near house Insert: Man opening safe Bedroom: Man standing at door, listening Insert: Man opening safe Exterior of house: Man standing near house Insert: Man opening safe Hall: Man coming...

Introduction

Mark Duguid

,

Mark Duguid is a senior curator at the BFI National Archive, with overall responsibility for the online representation of archival film and television. He is the author of the BFI TV Classic on Cracker (2009), and co-editor of Ealing Revisited (BFI, 2012). He has written features and reviews for Sight & Sound magazine and is a contributor to the International Encyclopedia of Television. Author affiliation details are correct at time of print publication.

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Lee Freeman

,

Lee Freeman is a film writer and lecturer at the University of Hull, UK. Author affiliation details are correct at time of print publication.

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Keith M Johnston

Keith M. Johnston is Lecturer in Film and Television Studies at the University of East Anglia and author of Coming Soon: Film Trailers and the Selling of Hollywood Technology. Author affiliation details are correct at time of print publication.

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and

Melanie Williams

Writes: British Film Institute Author affiliation details are correct at time of print publication.

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Ealing Revisited

British Film Institute, 2012

Book

2

... at the notion of the ‘people’s war’, Mark Duguid and Katy McGaham consider the route by which documentary entered Ealing’s bloodstream, while Lee Freeman considers the political content of these wartime productions. Yet the war infiltrates almost all...

Mailer’s Movie Maja and Dark Lady Revealed

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book

2

...What was it like to be a part of Norman Mailer’s film experiments? There was no other closest to it than actress/model Lee Roscoe. Recounting her relationship with Mailer, as well as the making of Mailer’s films as an actress, Roscoe...

“We'll Always Have Hong Kong”: Uncanny Spaces and Disappearing Memories in the Films of Wong Kar Wai

Christina Lee

Christina Lee is Lecturer in Communication and Cultural Studies at Curtin University, Australia. Author affiliation details are correct at time of print publication.

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Violating Time : History, Memory, and Nostalgia in Cinema

Continuum, 2008

Book

2

... This consequently sparks his recollections of an earlier life. Soon after, Mo-wan seeks out the company of dance-hall girl Bai Ling (Zhang Ziyi). Despite the aggressive passion of their relationship, it is devoid of the sincerity and tenderness he...

The Cinema and the (Common) Wealth of Nations

Lee Grieveson

Lee Grieveson is Professor of Media History at University College London, UK. He is the author of Policing Cinema: Movies and Censorship in Early Twentieth Century America (2004); co-editor, with Colin MacCabe, of Empire and Film and Film and the End of Empire (BFI, 2011) and Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System (2018). Author affiliation details are correct at time of print publication.

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Empire and Film

British Film Institute, 2011

Book

2

... reached the politically important working-class audience.Lee Grieveson, ‘Visualizing Industrial Citizenship’, in Devon Orgeron, Marsha Orgeron and Dan Streible (eds), Learning with the Lights Off (Oxford: Oxford University Press, 2011)....