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Of Blitzkriege and Hardcore BDSM

Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book chapter

4

... representation from the 1970s has seen a revival in some contemporary films.See the contributions by Daniel H. Magilow, Marcus Stiglegger, Benedikt Eppenberger, James Ward, Robert von Dassanowsky, Michael D. Richardson and Elissa Mailänder...

The Exotic as Spectacle

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

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Otherness in Hollywood Cinema

Continuum, 2010

Book chapter

1

... Babylon of D. W. Griffith’s Intolerance, for instance, as anything other than a manifestation of Hollywood grandiloquence. Setting his film among living Inuit, Flaherty in contrast thrilled audiences not with extravagance,...

Otherness in the Night

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

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Otherness in Hollywood Cinema

Continuum, 2010

Book chapter

1

... Identities are as unstable as the narrative itself and the characters may be doomed from the beginning of the film, as in Sunset Boulevard (Billy Wilder, 1950), where the events are recounted by a corpse, or D. O. A. (Rudolph Maté, 1950), in which...

Vengeful violence: Inglourious Basterds, allohistory, and the inversion of victims and perpetrators

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book chapter

8

... representations, see Michael D. Richardson, “‘Heil Myself!’ Impersonation and Identity in Comedic Representations of Hitler.” In Visualizing the Holocaust: Documents, Aesthetics, Memory, eds. David Bathrick, Brad Prager and Michael D....

Introduction

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

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Otherness in Hollywood Cinema

Continuum, 2010

Book chapter

1

... the Deep South (on Gone with the Wind, for example, none of the key personnel – the producer, three directors, writers, stars or cinematographer – appear to have had any Southern blood). Among major film makers D. W. Griffith seems...

Sexual Deviance and the Naked Body in Cinematic Representations of Nazis

Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book chapter

4

... as a character trait typically ascribed to women in discussions of the appeal of Nazism, was a reductive way of discussing female sexual desire. See Elizabeth D. Heinman, ‘Sexuality and Nazism: The Doubly Unspeakable?’ in Sexuality and German Fascism,...

Part 1: 1956-62

Michael Temple

Michael Temple is Reader in Film and Media at Birkbeck College, University of London, UK, and Director of the Birkbeck Institute for the Moving Image and the Essay Film Festival. He is the author of Jean Vigo (2005), and has co-edited several books about Jean-Luc Godard, as well as Decades Never Start on Time: A Richard Roud Anthology (BFI, 2014). Author affiliation details are correct at time of print publication.

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Karen Smolens

Karen Smolens is the niece of Richard Roud. She attended her first New York Film Festival at age 13, where she saw her uncle moderate a press conference with Roberto Rossellini following a screening of The Rise of Louis XIV (1966). She lives in Brookline, Massachusetts, USA. Author affiliation details are correct at time of print publication.

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Decades Never Start on Time : A Richard Roud Anthology

British Film Institute, 2014

Book chapter

1

... the summer festival the program is changed daily, so one can really catch up. The only snag is that each summer the programs are virtually the same. Film culture is upheld in the Bronx by the Ascot theatre; sample program: Umberto D....

Part 5: 1984-9

Michael Temple

Michael Temple is Reader in Film and Media at Birkbeck College, University of London, UK, and Director of the Birkbeck Institute for the Moving Image and the Essay Film Festival. He is the author of Jean Vigo (2005), and has co-edited several books about Jean-Luc Godard, as well as Decades Never Start on Time: A Richard Roud Anthology (BFI, 2014). Author affiliation details are correct at time of print publication.

Search for publications
and

Karen Smolens

Karen Smolens is the niece of Richard Roud. She attended her first New York Film Festival at age 13, where she saw her uncle moderate a press conference with Roberto Rossellini following a screening of The Rise of Louis XIV (1966). She lives in Brookline, Massachusetts, USA. Author affiliation details are correct at time of print publication.

Search for publications

Decades Never Start on Time : A Richard Roud Anthology

British Film Institute, 2014

Book chapter

1

... it was a screening of some shorts by D. W. Griffith – The New York Hat, for example. I even think that that was the first time I ever saw André Bazin. But I can’t be sure – there were so many things happening at once then.’ ‘As for the regular...