Loading
Loading

Results

Sort By:  1-10 of 26 (3 pages)
Results per page:
         

Dance of a Tough Guy

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book chapter

2

...Sitting down with L.A. Weekly journalist Michael Ventura, Norman Mailer talks the writer through his latest film venture, 1987’s Tough Guys Don’t Dance as well as what it was like to direct films in the 1960s versus today in the 1980s.This...

Otherness in the Night

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

Search for publications

Otherness in Hollywood Cinema

Continuum, 2010

Book chapter

1

... Preminger, Max Ophuls, Curtis Bernhardt, John Brahm, Michael Curtiz, Charles Vidor) with a dash of French (Jacques Tourneur) and many of those American directors who made noirs had what may be called a certain ‘European’ or at least outsider...

Vengeful violence: Inglourious Basterds, allohistory, and the inversion of victims and perpetrators

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book chapter

3

... representations, see Michael D. Richardson, “‘Heil Myself!’ Impersonation and Identity in Comedic Representations of Hitler.” In Visualizing the Holocaust: Documents, Aesthetics, Memory, eds. David Bathrick, Brad Prager and Michael D....

The Myth of the Frontier

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

Search for publications

Otherness in Hollywood Cinema

Continuum, 2010

Book chapter

1

... of good and evil can be distinguished from the greyness of modernity as represented by the manifest destiny of US ideology. It is something that has constantly to be re-discovered, as Deke Thornton (Robert Ryan) and Sykes (Edmund O’Brien)...

Public Address

Michael Chanan

MICHAEL CHANAN is a documentary film-maker and Professor of Film and Video at Roehampton University. His films include 'Detroit - Ruin of a City' (with George Steinmetz, 2005). His books include 'Cuban Cinema' (2003) and 'Repeated Takes: A Short History of Recording and its Effects on Music' (1995). Author affiliation details are correct at time of print publication.

Search for publications

The Politics of Documentary

British Film Institute, 2007

Book chapter

1

... Century 1914–1991 (London: Michael Joseph, 1994), p. 111. In other words, Grierson conceived his documentary project against the background of rising Fascism, as a means to help strengthen the democratic system through civic education. In short,...

Camp

Michael Lawrence

Michael Lawrence is Lecturer in Film Studies at the University of Sussex, UK. He is the author of Sabu (2014) and co-editor of The Zoo and Screen Media: Images of Exhibition and Encounter (2016). Author affiliation details are correct at time of print publication.

Search for publications

Sabu

British Film Institute, 2014

Book chapter

1

... for the development of the ‘filmic vocabulary of camp’. For example, Michael Moon claims that gay male appreciation for these films reveals how gay men growing up in the pre- and Stonewall eras experienced the ‘earliest intimations’...

Of Monsters and Cold Wars

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

Search for publications

Otherness in Hollywood Cinema

Continuum, 2010

Book chapter

1

... Ryan) in House of Bamboo and the double renegades Driscoll (Ralph Meeker) and Crazy Wolf (H. M. Wynant) in Run of the Arrow. Whether an abstraction or not, however, they always function as counterpoints through which the central protagonist...

Camera Work

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

Search for publications
and

Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

Search for publications

An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

2

... effects. In the following sequence from The Godfather (1972), Michael Corleone offers to kill two enemies of his mafia family. In the film, the old Don is almost killed and one of his sons is gunned down. Michael is obliged to take up...

Introduction

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

Search for publications
and

Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

Search for publications

An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

1

... in this day and age, the film embodies this other, more problematic meaning as well. Meaning comes in two basic forms, then. One kind of meaning is consciously intended. Michael Clayton (2007) is about a man who must choose between being...

Metaphor, Structure, Character, Motif

Michael Ryan

Dr Sean Michael Ryan is a Lecturer in Biblical Studies, Heythrop College, University of London Author affiliation details are correct at time of print publication.

Search for publications
and

Melissa Lenos

Melissa Lenos is Assistant Professor of English, Donnelly College, USA. Author affiliation details are correct at time of print publication.

Search for publications

An Introduction to Film Analysis : Technique and Meaning in Narrative Film

Continuum, 2012

Book chapter

3

... relations.Michael Clayton: Michael’s friend, Arthur, is depicted as being superior to Michael.All movies are carefully designed, and they all have structure. That means that the elements of a movie complement one another. For example,...