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“Dedicated to the One I Love”: Authorship and Adaptation in Lynne Ramsay’s Morvern Callar

On Women’s Films : Across Worlds and Generations

Bloomsbury Academic, 2019

Book

2

... with a death that occurs at their outset, and both incorporate and resist incorporation of the dead other, at once identifying with and distancing themselves from him. James accidentally drowns a friend, Ryan, at the beginning of Ratcatcher;...

Dance of a Tough Guy

The Cinema of Norman Mailer : Film is Like Death

Bloomsbury Academic, 2017

Book

2

...Sitting down with L.A. Weekly journalist Michael Ventura, Norman Mailer talks the writer through his latest film venture, 1987’s Tough Guys Don’t Dance as well as what it was like to direct films in the 1960s versus today in the 1980s.This...

Rhythmic and Graphic Editing

Michael Frierson

Michael Frierson is a Professor in Media Studies at the University of North Carolina at Greensboro. He is the author of Clay Animation: American Highlights 1908 to the Present (1994), which won the McLaren-Lambart Award from the National Film Board of Canada for the Best Scholarly Book on Animation for 1995. He teaches film theory, film/video production and editing, and has produced, shot and edited feature documentaries, as well as short films for Nickelodeon, Children’s Television Workshop, MSN Video, and AT&T Blue Room. Author affiliation details are correct at time of print publication.

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Film and Video Editing Theory : How Editing Creates Meaning

Routledge, 2018

Book

2

... to tell the story of the search for the last surviving brother of four service men following the D-Day landing in Normandy, France. Ryan won five Academy awards, including Best Direc- tion, Best Editing for Michael Kahn, and Best Cinematography...

The Myth of the Frontier

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

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Otherness in Hollywood Cinema

Continuum, 2010

Book

1

... of good and evil can be distinguished from the greyness of modernity as represented by the manifest destiny of US ideology. It is something that has constantly to be re-discovered, as Deke Thornton (Robert Ryan) and Sykes (Edmund O’Brien)...

Public Address

Michael Chanan

MICHAEL CHANAN is a documentary film-maker and Professor of Film and Video at Roehampton University. His films include 'Detroit - Ruin of a City' (with George Steinmetz, 2005). His books include 'Cuban Cinema' (2003) and 'Repeated Takes: A Short History of Recording and its Effects on Music' (1995). Author affiliation details are correct at time of print publication.

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The Politics of Documentary

British Film Institute, 2007

Book

1

... Century 1914–1991 (London: Michael Joseph, 1994), p. 111. In other words, Grierson conceived his documentary project against the background of rising Fascism, as a means to help strengthen the democratic system through civic education. In short,...

Camp

Michael Lawrence

Michael Lawrence is Lecturer in Film Studies at the University of Sussex, UK. He is the author of Sabu (2014) and co-editor of The Zoo and Screen Media: Images of Exhibition and Encounter (2016). Author affiliation details are correct at time of print publication.

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Sabu

British Film Institute, 2014

Book

1

... for the development of the ‘filmic vocabulary of camp’. For example, Michael Moon claims that gay male appreciation for these films reveals how gay men growing up in the pre- and Stonewall eras experienced the ‘earliest intimations’...

Vengeful violence: Inglourious Basterds, allohistory, and the inversion of victims and perpetrators

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book

3

... representations, see Michael D. Richardson, “‘Heil Myself!’ Impersonation and Identity in Comedic Representations of Hitler.” In Visualizing the Holocaust: Documents, Aesthetics, Memory, eds. David Bathrick, Brad Prager and Michael D....

Coronation Street

Michael Massey

Michael Massey was Head of Media Education at Southgate School in North London from 1992-2005. He has contributed to MediaMagazine (English and Media Centre) and Splice (Auteur). He is now a freelance educational consultant, voiceover artist and video producer. Author affiliation details are correct at time of print publication.

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Studying TV Drama

Auteur, 2010

Book

1

... is one of the younger ‘anchors’ of Coronation Street. Her responsible parenting of her son, Ryan, and support for her two brothers, seem exemplary. The death of her brother, Paul has hit her very hard, but she still maintains security...

The Summary Mode

Michael Betancourt

Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo. Author affiliation details are correct at time of print publication.

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Title Sequences as Paratexts : Narrative Anticipation and Recapitulation

Routledge, 2018

Book

1

... to established lexical codes. Notes 1. Ryan, M. Avatars of Story (Electronic Mediations) (Minneapolis: Uni- versity of Minnesota Press, 2006), pp. 186–187. 2. Martens, G. and Biebuyck, B. “Channeling Figurativity Through Narra- tive:...

Otherness in the Night

Michael Richardson

Michael Richardson is Visiting Fellow (honorary) at Goldsmith's College, University of London. His research interests focus on issues of representation and how they relate to the anthropological relation. He has published widely, having edited a collection of writings of Georges Bataille on surrealism (The Absence of Myth, Verso, 1991) and surrealism and the Caribbean (Refusal of the Shadow, Verso 1996), as well as writing the single authored books George Bataille (Routledge, 1994), The Experience of Culture (Sage, 2001) and Surrealism and Cinema (Berg, 2006). From 2004-7, he was Visiting Professor in Cultural Studies at Waseda University, Tokyo. Author affiliation details are correct at time of print publication.

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Otherness in Hollywood Cinema

Continuum, 2010

Book

1

... Preminger, Max Ophuls, Curtis Bernhardt, John Brahm, Michael Curtiz, Charles Vidor) with a dash of French (Jacques Tourneur) and many of those American directors who made noirs had what may be called a certain ‘European’ or at least outsider...