Ken Provencher has taught film and media studies at Josai International University in Tokyo, Japan, and Loyola Marymount University, Los Angeles. His work focuses on the transnational Hollywood industry, especially its relation to East Asian media industries and popular cultures. He has contributed to The Companion to Wong Kar-wai, The Quarterly Review of Film and Video, and The Velvet Light Trap, among others. Author affiliation details are correct at time of print publication.
Mike Dillon teaches film and media studies at California State University, Fullerton. His research focuses on the relationship between media cultures and transnational human mobility. His publications include essays in Journal of South Asian Film and Media Studies, Mediascape, and Reconstruction, among other; and chapters in the anthologies Negative Cosmopolitanisms and Transnational Horror Cinema. Author affiliation details are correct at time of print publication.
Exploiting East Asian Cinemas: Genre, Circulation, Reception
Bloomsbury Academic, 2017
... Asian genre cinema in the late 1990s, early 2000s include Stefan Hammond and Mike Wilkins, Sex and Zen, A Bullet in the Head: The Essential Guide to Hong Kong’s Mind-bending Films (New York: Fireside, 1996); Bey Logan, Hong Kong Action...
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