Morgan Paar is an adjunct professor of film/video production and post-production at Bronx Community College in New York City and an independent cinematographer and editor specializing in international documentary production. Author affiliation details are correct at time of print publication.
...
H ow to Make a Documentary:
Funding, Financing and
Budgeting
Morgan P arr
F igure 24-1
Why are you making a documentary? In other words, who do you want
to see it? As with every step of fi lmmaking, you have to ask yourself,...
Morgan Paar is an adjunct professor of film/video production and post-production at Bronx Community College in New York City and an independent cinematographer and editor specializing in international documentary production. Author affiliation details are correct at time of print publication.
...
Simple Compositing
M organ P aar
F igure 57-1
E veryone loves to be awed by movie magic, and you can bedazzle your
audience using our simple compositing tips that reveal the secret of
see-through layers.
C ompositing...
Morgan Paar is an adjunct professor of film/video production and post-production at Bronx Community College in New York City and an independent cinematographer and editor specializing in international documentary production. Author affiliation details are correct at time of print publication.
...
H ow to Make a Documentary:
Distribution
M organ P aar
F igure 68-1
You found a compelling story that the world needs to know about;
you gathered up enough money to get the documentary through pre-
production, shooting...
Morgan Paar is an adjunct professor of film/video production and post-production at Bronx Community College in New York City and an independent cinematographer and editor specializing in international documentary production. Author affiliation details are correct at time of print publication.
...
Color Correction 101
M organ Paar
Figure 52-1
A few simple steps can save an improperly-shot scene or improve one
that is less than brilliant.
D on’t let the interface of the Color $10,000!), we really cannot see the true...
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