... of a Labo’, in N Brenez and
C Lebrat
eds, Jeune, dure et pure! Une histoire du cinéma d’avant-garde et expérimental en France, Paris/Milan, Cinémathèque Française/Mazzotta, 519–21.
J Epstein (1947) Le Cinéma du diable, Paris, Jacques Melot.
I...
... (Avoir vingt ans dans les Aurès, 1972; La Folle de Toujane, co-dir Nicole Le Garrec, 1974); didactic fables (Les Ajoncs and Les Trois Cousins, both 1970); allegorical pamphlets (Le Remords, 1974, a satirical film with an element of farce...
Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.
Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.
Movie Mutations: The Changing Face of World Cinephilia
British Film Institute, 2003
Book
3
... the letters, I couldn’t help but feel that I was colliding with an object from outer space, even if what I read responded to a profound need on my part. At this point, I had read some of Jonathan’s work and a little bit by Kent, but Nicole, Alex...
Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Author affiliation details are correct at time of print publication.
Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from bfi Publishing. Author affiliation details are correct at time of print publication.
Movie Mutations: The Changing Face of World Cinephilia
British Film Institute, 2003
Book
4
... NicoleBrenez (France), Alexander Horwath (Austria), Kent Jones (US) and you, Adrian Martin (Australia). Each of you, I should add, I met independently of the other three, originally through correspondence (apart from Kent), although Kent...
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