Loading
Loading

Results

Sort By:  1-10 of 12 (2 pages)
Results per page:
         

A Marriage Of Past And Present— The Overcoming Of Fassbinder

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Funny Frames : The Filmic Concepts of Michael Haneke

Continuum, 2010

Book chapter

1

... have—apart from working with quotes as well—cross-references to each other.I make a similar argument, which I summarize here briefly for the benefit of the English-speaking reader, in Speck 1999. Haneke, in turn, appears to be less obtrusive...

Introduction: A Southern State of Exception

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

3

...Django Unchained has been widely seen as a companion to Tarantino’s 2009 film Inglourious Basterds. Again, references to Germany and German culture abound and the role of the “übercultured German” is played by Christoph Waltz, with similar...

Self/Aggression

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Funny Frames : The Filmic Concepts of Michael Haneke

Continuum, 2010

Book chapter

0

...While it is a commonplace to note that the films of Michael Haneke deal with situations of violence, film criticism as well as the rapidly growing scholarship on Haneke have neglected to remark that the topos of self-aggression also...

Is Tarantino serious? The twofold image of the Auteur and the state of exception

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book chapter

3

...Quentin Tarantino might be American cinema’s best know auteur, one of the very few directors whose work is promoted in the U.S. with the “a film by” label. It is a label that, of course, the filmmaker himself tirelessly and skillfully...

The Funny Frame

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Funny Frames : The Filmic Concepts of Michael Haneke

Continuum, 2010

Book chapter

0

...While finishing this book in the summer of 2009, two uncanny coincidences opened up on the plane of immanence. The day after the much-publicized death of Michael Jackson on June 25, 2009, I watched, again, 71 Fragmente einer Chronologie des...

Thinking The Event—The Virtual In Michael Haneke

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Funny Frames : The Filmic Concepts of Michael Haneke

Continuum, 2010

Book chapter

0

...Critics generally understand Michael Haneke's films as a trenchant critique of our society and its postmodern relativism. One motive in particular that has earned Haneke the reputation of being “the last moralist of cinema”: in practically...

The Moral Of The Long Take

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Funny Frames : The Filmic Concepts of Michael Haneke

Continuum, 2010

Book chapter

1

... Dassanowsky and Speck 2010). This certainly holds true for the West-German filmmakers of Haneke's generation. As Robert von Dassanowsky explains in his comprehensive history of Austrian cinema, the rising popularity of television and especially...

A New Order

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Funny Frames : The Filmic Concepts of Michael Haneke

Continuum, 2010

Book chapter

0

...In a relatively short period of time, Michael Haneke's oeuvre developed from critically acclaimed films with a small distribution, co-produced by Austrian and German television, to works of French cinema, becoming almost synonymous...

Introduction

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Funny Frames : The Filmic Concepts of Michael Haneke

Continuum, 2010

Book chapter

1

... and strategies, beginning with self-referentiality. While his films draw attention to their textual status, they are not simply critical of certain cultural trends. Natural Born Killers (1994) by Oliver Stone would be a perfect example...

The Conceptual Frame Of Reference

Oliver C. Speck

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Author affiliation details are correct at time of print publication.

Search for publications

Funny Frames : The Filmic Concepts of Michael Haneke

Continuum, 2010

Book chapter

1

... to provide, an introduction to Deleuze—see here my review of two of them (Speck 2001)—it seems that, due to Deleuze's moving concepts, one would need an introduction to every single aspect of Deleuzian thought that acquires subtly different shapes...