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Run, Angel, Run: Serial Production and the Biker Movie, 1966–1972

Grindhouse : Cultural Exchange on 42nd Street, and Beyond

Bloomsbury Academic, 2016

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4

... films.For an account of Western costume and authenticity, see Peter Stanfield, The Cool and the Crazy: Pop Fifties Cinema (New Brunswick: Rutgers University Press, 2015), 162–187. Wayne represents stability, the women faddishness. Relative...