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Introduction: Film and the invention of history

Phil Powrie

Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK. He is Chair of the British Association for Film, Television and Screen Studies and Chief General Editor of Studies in French Cinema. Author affiliation details are correct at time of print publication.

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Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

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French Cinema: A Student’s Guide

Bloomsbury Academic, 2002

Book chapter

5

... to use part of Phil Powrie’s volume, Jean-Jacques Beineix (2001b), in one of the sequence analyses, and the Journal of Romance Studies for allowing us to rework a review article by Phil Powrie for the section on ‘Practice’ (Powrie, 2002). Particular thanks too to our students – Abigail Murray, Ellen Parker and John Williams – for allowing us to use their work....

Theory

Phil Powrie

Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK. He is Chair of the British Association for Film, Television and Screen Studies and Chief General Editor of Studies in French Cinema. Author affiliation details are correct at time of print publication.

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and

Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

Search for publications

French Cinema: A Student’s Guide

Bloomsbury Academic, 2002

Book chapter

0

...Why devote a chapter of this book to the specific ways in which film has been theorised in France? The importance of theory in writing about film has been long and widely recognised, as the number of books devoted to the topic will attest...

Writing About French Films

Phil Powrie

Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK. He is Chair of the British Association for Film, Television and Screen Studies and Chief General Editor of Studies in French Cinema. Author affiliation details are correct at time of print publication.

Search for publications
and

Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

Search for publications

French Cinema: A Student’s Guide

Bloomsbury Academic, 2002

Book chapter

2

...In this section we include specimen essays by students on French cinema, and sequence analyses by Phil Powrie. The purpose is to show you how you can write on a film or on a topic. We have therefore commented on each piece from a variety...

Practice

Phil Powrie

Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK. He is Chair of the British Association for Film, Television and Screen Studies and Chief General Editor of Studies in French Cinema. Author affiliation details are correct at time of print publication.

Search for publications
and

Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

Search for publications

French Cinema: A Student’s Guide

Bloomsbury Academic, 2002

Book chapter

1

... but under-researched area of 1980s production; and Powrie (1997) focuses on the 1980s through the lens of Gender Studies.The last 20 years or so of the twentieth century saw the publication in English, but more especially in French,...

History

Phil Powrie

Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK. He is Chair of the British Association for Film, Television and Screen Studies and Chief General Editor of Studies in French Cinema. Author affiliation details are correct at time of print publication.

Search for publications
and

Keith Reader

Keith Reader is Professor of Modern French Studies at the University of Glasgow. Author affiliation details are correct at time of print publication.

Search for publications

French Cinema: A Student’s Guide

Bloomsbury Academic, 2002

Book chapter

0

...The world’s first screening of a motion picture to a paying audience took place at the Grand Café in Paris on 28 December 1895; it was a programme of short films by Louis Lumière, who with his brother Auguste ran a photography firm in Lyon....