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Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.