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Pseudo Soundtracks: Reconsidering the Rescore

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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Live Cinema : Cultures, Economies, Aesthetics

Bloomsbury Academic, 2017

Book

2

...Audiovisual amnesia: Presumed invention in newly commissioned rescores Rescoring a pre-existing silent film strangely activates a mute dialogue with the film, mostly because the composer/musician is not required to communicate...

Sailor Moon (Bishojo senshi Seiraa Muun)

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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100 Anime : BFI Screen Guides

British Film Institute, 2005

Book

0

...While the West has historically tended to produce kid-vid animation and live action aimed at co-ed groups of pre-teens and teens, Japan is abundant with gender-specific manga and anime. More so than in America especially, the Japanese...

Grave of the Fireflies (Hotaru no haka)

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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100 Anime : BFI Screen Guides

British Film Institute, 2005

Book

0

...Set during the horrendous fire-bombings of military and civilian Japan in the lead-up to the atomic bomb drops, Grave of the Fireflies follows two children orphaned in the Kobe attacks – Setsuko, aged five, and her older brother Seita, aged...

Kimba the White Lion (Junguru taitei)

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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100 Anime : BFI Screen Guides

British Film Institute, 2005

Book

0

...One way of viewing childhood entertainment is as deceitful, duplicitous and dangerous in its manifold fancies and falsehoods. This is enforced by a chief means of tale-spinning that employs animals to represent human thought and action...

SD Gundam (Kido Senshi SD Gandamu)

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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100 Anime : BFI Screen Guides

British Film Institute, 2005

Book

0

...Poor, dumb Japan. Controlled by Hello Kitty and imprisoned by demons of ‘cute’, its brain-washed citizenry have no concept of how such vacuousness pervades their lives. So reads the standard edict of Western critique of Japanese ‘cute...

Kiki’s Delivery Service (Majo no takkyubin)

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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100 Anime : BFI Screen Guides

British Film Institute, 2005

Book

0

...Kiki’s Delivery Service is an allegorical tale of the joy and sadness of puberty told via young witch Kiki as she comes of age. According to witch customs, Kiki must leave her home and spend a period training as a witch while living...

Patlabor III – Wasted XIII (Patoreiba III – Wasted XIII)

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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100 Anime : BFI Screen Guides

British Film Institute, 2005

Book

0

...Mostly, sequels and additional OVAs released as part of an anime title will extend definable characteristics that made the originating anime popular. Patlabor III almost denies that the Patlabor universe existed prior to this film...

Mermaid Forest (Rumic World: Ningyo no mori)

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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100 Anime : BFI Screen Guides

British Film Institute, 2005

Book

0

...Based on Japanese coastal folklore concerning the belief that if you eat the flesh of a mermaid you will become immortal, the two-part anime Mermaid Forest spins an eerie speculative tale around those who have been fatally lured...

Steamboy (Sutyimu boi)

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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100 Anime : BFI Screen Guides

British Film Institute, 2005

Book

0

...In a saturated art form like anime where binaries of archaic/futuristic, traditional/post-modern, and Eurocentric/Nihoncentric are deck-shuffled to ensure an evenly random distribution of possibilities, Steamboy manages to be an amazing...

Gantz

Philip Brophy

Philip Brophy is a film director, composer and sound designer. He is founder of the Cinesonic International Conference of Film Scores and Sound Design from which he has edited three books on film sound and music, the most recent being Cinesonic: Experiencing The Soundtrack (AFTRS Publishing, Sydney 2002). He has also written for The Wire, London, and Film Comment. He teaches cinema studies at RMIT University, Australia, and is the author of the BFI Screen Guides 100 Modern Soundtracks (2004) and 100 Anime (2005). Author affiliation details are correct at time of print publication.

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100 Anime : BFI Screen Guides

British Film Institute, 2005

Book

0

...The most frightening part of Gantz is the opening subway station scene. Katou waits for his train. Having witnessed his behaviour at school we know he is desultory, solipsistic, withdrawn, repressed. The subway is ‘real’ but the soundtrack...