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Introducing Studio Ghibli’s Monster Princess: From Mononokehime to Princess Mononoke

Rayna Denison

Rayna Denison is Senior Lecturer in the School of Art, Media and American Studies at the University of East Anglia, UK, specializing in Japanese and Asian film and television cultures. Denison is the author of Anime: A Critical Introduction (2015), has co-edited the Eisner Award-nominated Superheroes on World Screens (2015) as well as publishing in a wide range of academic journals including Cinema Journal, the International Journal of Cultural Studies and Velvet Light Trap. Her research interests include anime, Japanese cinema, comic book movies and children’s film and television, especially animation. Author affiliation details are correct at time of print publication.

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Princess Mononoke : Understanding Studio Ghibli’s Monster Princess

Bloomsbury Academic, 2018

Book

4

... Mononokehime demonstrated the commercial power of anime in Japan.Rayna Denison, ‘The Language of the Blockbuster: Promotion, Princess Mononoke and the Daihitto in Japanese Film Culture’ in Leon Hunt and Leung Wing-Fai (eds), East Asian Cinemas:...

Anime’s Bodies

Rayna Denison

Rayna Denison is Senior Lecturer in the School of Art, Media and American Studies at the University of East Anglia, UK, specializing in Japanese and Asian film and television cultures. Denison is the author of Anime: A Critical Introduction (2015), has co-edited the Eisner Award-nominated Superheroes on World Screens (2015) as well as publishing in a wide range of academic journals including Cinema Journal, the International Journal of Cultural Studies and Velvet Light Trap. Her research interests include anime, Japanese cinema, comic book movies and children’s film and television, especially animation. Author affiliation details are correct at time of print publication.

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The Animation Studies Reader

Bloomsbury Academic, 2019

Book

3

...In this chapter from her book Anime: A Critical Introduction (Bloomsbury 2015), Denison contextualizes how women’s bodies in anime are read and understood by both Japanese and Western audiences. She examines their mutable...