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Politics

Richard Roud

Richard Roud (1929–89) was an American writer on film and co-founder and latterly Director of the New York Film Festival. In the 1950s, Roud was the London Correspondent of Cahiers du cinéma, and from 1963 to 1969, Chief Film Critic for the Guardian newspaper. His books include Cinema: A Critical Dictionary – The Major Film-Makers (two volumes, 1980), A Passion for Film: Henri Langlois and the Cinémathèque Française (1983), and Jean-Marie Straub (1972), also in the Cinema One series. Author affiliation details are correct at time of print publication.

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Jean-Luc Godard

British Film Institute, 1967

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...À bout de souffle: Belmondo and victimHowever cosmic Godard’s vision of prostitution, it is not the only social theme to be found in his films: there are others, more directly political. But even there we will see the same characteristic...

La Chinoise and After: The Damascus Road

Richard Roud

Richard Roud (1929–89) was an American writer on film and co-founder and latterly Director of the New York Film Festival. In the 1950s, Roud was the London Correspondent of Cahiers du cinéma, and from 1963 to 1969, Chief Film Critic for the Guardian newspaper. His books include Cinema: A Critical Dictionary – The Major Film-Makers (two volumes, 1980), A Passion for Film: Henri Langlois and the Cinémathèque Française (1983), and Jean-Marie Straub (1972), also in the Cinema One series. Author affiliation details are correct at time of print publication.

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Jean-Luc Godard

British Film Institute, 1967

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...La Chinoise: ‘Behind the limpid eyes of Véronique’It was difficult to predict in which direction Godard would move after that summing-up of his career in Deux ou trois choses; all one could say with certainty was that he would not stand...

The Outsider

Richard Roud

Richard Roud (1929–89) was an American writer on film and co-founder and latterly Director of the New York Film Festival. In the 1950s, Roud was the London Correspondent of Cahiers du cinéma, and from 1963 to 1969, Chief Film Critic for the Guardian newspaper. His books include Cinema: A Critical Dictionary – The Major Film-Makers (two volumes, 1980), A Passion for Film: Henri Langlois and the Cinémathèque Française (1983), and Jean-Marie Straub (1972), also in the Cinema One series. Author affiliation details are correct at time of print publication.

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Jean-Luc Godard

British Film Institute, 1967

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...More, perhaps, than in the work of any other director, Godard’s subjects and themes are rooted in the world in which they are set; or conversely, perhaps, their setting has conditioned the choice of themes. Godard’s world is a very special...

Narration

Richard Roud

Richard Roud (1929–89) was an American writer on film and co-founder and latterly Director of the New York Film Festival. In the 1950s, Roud was the London Correspondent of Cahiers du cinéma, and from 1963 to 1969, Chief Film Critic for the Guardian newspaper. His books include Cinema: A Critical Dictionary – The Major Film-Makers (two volumes, 1980), A Passion for Film: Henri Langlois and the Cinémathèque Française (1983), and Jean-Marie Straub (1972), also in the Cinema One series. Author affiliation details are correct at time of print publication.

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Jean-Luc Godard

British Film Institute, 1967

Book

1

... which rendered the whole story more pathetic than tragic. Then it was going to be filmed with Anna Karina and Richard Burton, but Godard turned down Burton as being too Hollywoodisé. Finally, the casting was set with Belmondo and Karina.Godard...

France, American Style

Richard Roud

Richard Roud (1929–89) was an American writer on film and co-founder and latterly Director of the New York Film Festival. In the 1950s, Roud was the London Correspondent of Cahiers du cinéma, and from 1963 to 1969, Chief Film Critic for the Guardian newspaper. His books include Cinema: A Critical Dictionary – The Major Film-Makers (two volumes, 1980), A Passion for Film: Henri Langlois and the Cinémathèque Française (1983), and Jean-Marie Straub (1972), also in the Cinema One series. Author affiliation details are correct at time of print publication.

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Jean-Luc Godard

British Film Institute, 1967

Book

1

... about Ferrie being involved with Oswald.’ (22 February 1967.)Now, Made in U.S.A.: Paula Nelson comes to ‘Atlantic City’ to find her lover Richard; on arrival she learns that he is dead. A number of people with mysterious motives try to join...

Reality and Abstraction

Richard Roud

Richard Roud (1929–89) was an American writer on film and co-founder and latterly Director of the New York Film Festival. In the 1950s, Roud was the London Correspondent of Cahiers du cinéma, and from 1963 to 1969, Chief Film Critic for the Guardian newspaper. His books include Cinema: A Critical Dictionary – The Major Film-Makers (two volumes, 1980), A Passion for Film: Henri Langlois and the Cinémathèque Française (1983), and Jean-Marie Straub (1972), also in the Cinema One series. Author affiliation details are correct at time of print publication.

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Jean-Luc Godard

British Film Institute, 1967

Book

0

...Une femme est une femme: Karina and Jean-Claude BrialyIn an interview, Anna Karina made a curious comment on Demy’s Les Parapluies de Cherbourg:All their clothes come from Dior. And yet with dresses worth 500,000 francs on their backs...