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Andrei Rublev: Андрей Рублёв

Robert Bird

Robert Bird is Associate Professor in Slavic Languages and Literatures at the University of Chicago, USA. He is the translator of Viacheslav Ivanov's Selected Essays (2001). Author affiliation details are correct at time of print publication.

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British Film Institute, 2004

Focused Study

4

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... historical and urgently topical. While much remains mysterious in Andrei Rublev, critics have recently begun to reappraise it as a groundbreaking film that undermines comfortable notions of life and spirituality. Robert Bird's multifaceted...

The Films

Robert Shail

Robert Shail is Professor of Film in the Northern Film School at Leeds Beckett University, UK, and formerly Head of Film and Media at the University of Wales, Lampeter. He has published widely on British cinema and the representation of masculinity. Recent publications include 'Anarchy in the UK: Reading Beryl the Peril via Historic Conceptions of Childhood' in the Journal of Graphic Novels and Comics. He was awarded a Leverhulme Fellowship in 2012 to investigate the history of the Children's Film Foundation. Author affiliation details are correct at time of print publication.

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The Children's Film Foundation : History and Legacy

British Film Institute, 2016

Book

1

... and two sisters, followed by the walk to school during which he finds a bird’s nest full of eggs and catches a trout in a stream. Rhys is late for school and sneaks into class but is caught in the act. His fish is confiscated and he...
... and New Worlds), and its deployment of apparently anachronistic cultural and aesthetic tropes (of nature, love, and mortality).For a critical analysis of these ambivalent responses to The New World see Robert Sinnerbrink, “From Mythic History...

The Story of the Foundation

Robert Shail

Robert Shail is Professor of Film in the Northern Film School at Leeds Beckett University, UK, and formerly Head of Film and Media at the University of Wales, Lampeter. He has published widely on British cinema and the representation of masculinity. Recent publications include 'Anarchy in the UK: Reading Beryl the Peril via Historic Conceptions of Childhood' in the Journal of Graphic Novels and Comics. He was awarded a Leverhulme Fellowship in 2012 to investigate the history of the Children's Film Foundation. Author affiliation details are correct at time of print publication.

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The Children's Film Foundation : History and Legacy

British Film Institute, 2016

Book

1

... of children’s literature of the 1930s. Animals are again to the fore in The Dog and the Diamonds (1953) and Tim Driscoll’s Donkey (1954), whereas natural settings feature strongly in The Secret of the Forest (1955), Mystery on Bird Island (1954)...

Reporter, Soldier, Detective, Spy

Antonioni : Centenary Essays

British Film Institute, 2011

Book

2

... and by the camera, the narrative and visual track, and the insistent, exquisite framing of Antonioni’s camera, which seeks to set and reset Locke in a certain landscape or visual shape (the famous Barcelona cable-car shot of Locke as ‘free’ bird...

Narrative re/construction

Robert Edgar

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

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Adaptation for Screenwriters

Bloomsbury Academic, 2019

Book

1

... and feeding it to a baby bird hidden in his pocket. Once Brooks is released Darabont even grants him his own voice-over confessing his inability to cope with life in the real world. King’s veiled suggestion that he may have taken his own life...