Loading
Loading

Results

Sort By:  1-10 of 35 (4 pages)
Results per page:
         

Mexico’s Appropriation of the Latin American Visual Imaginary: Rómulo Gallegos in Mexico

Robert McKee Irwin

Professor and Chancellor’s Fellow in the Department of Spanish and Portugese at the University of California, USA. He is the author of Bandits, Captives, Heroines and Saints: Cultural Icons of Mexico’s Northwest Borderlands (2007), and co-editor of Dictionary of Latin American Cultural Studies (2011). Author affiliation details are correct at time of print publication.

Search for publications

Global Mexican Cinema: Its a Golden Age : ‘el cine mexicano se impone’

British Film Institute, 2013

Book

2

... of the same title that he co-directed with Edgar Anzola, and significant participation in the production enterprise Ávila Films, producer of Juan de la calle (Rafael Rivero, 1941), for which Gallegos authored the screenplay. However, by the early...

Provocation and perversity: Lars von Trier’s cinematic anti-philosophy

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book

2

... of the most obvious, there is the aforementioned fly-fishing discussion; the references to musical intervals and the devil’s tritone used by “The Little Flock”; a recitation of the opening of Edgar Allen Poe’s gothic tale, “The Fall...

The Emperor Has No Clothes

The French New Wave : Critical Landmarks

British Film Institute, 2009

Book

2

...Robert BenayounTo measure a circle, you can begin anywhere.If the cinema looks in upon itself too much, it will be in danger of ending up as a kind of subculture, consisting of approximations, pale reflections, quotations, and hazy...

The Story of the Foundation

Robert Shail

Robert Shail is Professor of Film in the Northern Film School at Leeds Beckett University, UK, and formerly Head of Film and Media at the University of Wales, Lampeter. He has published widely on British cinema and the representation of masculinity. Recent publications include 'Anarchy in the UK: Reading Beryl the Peril via Historic Conceptions of Childhood' in the Journal of Graphic Novels and Comics. He was awarded a Leverhulme Fellowship in 2012 to investigate the history of the Children's Film Foundation. Author affiliation details are correct at time of print publication.

Search for publications

The Children's Film Foundation : History and Legacy

British Film Institute, 2016

Book

1

... with the producer Leon Clore and director Michael Powell appointed to the former, while documentarist Edgar Anstey and writer-producer Frank Godwin were appointed to the latter. The rota distribution system was still in place across Rank, ABC and the two...

Bibliography

Robert Edgar

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

Search for publications
and

John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation for Screenwriters

Bloomsbury Academic, 2019

Book

2

... Dir. David Fincher, USA: Foxx 2000 Pictures/Regency Enterprises/Linson Films. Forrest Gump (1994), Dir. Robert Zemeckis, USA: Wendy Finerman Productions. From Dusk till Dawn (1996), Dir. Robert Rodriguez, USA: Dimension Films/A Band...

Developing the script

Robert Edgar

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

Search for publications
and

John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation for Screenwriters

Bloomsbury Academic, 2019

Book

0

...This chapter draws together the practical advice about the adaptation of prose to screen. It deals with generic questions, tips and pointers. It considers some of the key decisions to be made before starting the process of adaptation...

Adapting Hardy: A Case Study

Robert Edgar

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

Search for publications
and

John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation for Screenwriters

Bloomsbury Academic, 2019

Book

0

...This chapter represents the culmination of the process of adaptation. Here the screenwriter has taken the short story “The Withered Arm”, by Thomas Hardy, and adapted it as a piece of short screen drama. The short story is available online,...

Thinking about Form

Robert Edgar

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

Search for publications
and

John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

Search for publications

Adaptation for Screenwriters

Bloomsbury Academic, 2019

Book

0

...2a) Talking pictures and narration This chapter will examine how fiction and film differ as forms of expression, and the typical obstacles that present themselves to any screenwriter attempting to transfer narrative material from one...

Preliminaries

Robert Edgar Hunt

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK, where he teaches creative writing and film and television. Publications include Screenwriting (2009) and Directing Fiction (2010) and most recently the second edition of The Language of Film(Bloomsbury, 2015). Research projects include work on Hitchcock and Herrmann, contemporary television and Top Gear. Robert was a co-editor of The Music Documentary: Acid Rock to Electropop (2013). Author affiliation details are correct at time of print publication.

Search for publications

Basics Film-Making 03: Directing Fiction

AVA Publishing SA, 2010

Book

1

... Kubrick. There are also references to J. Robert Oppenheimer, who helped to invent the atomic bomb, and his famous use of the quote from the Bhagavad Gita ‘Now I am become Death, the Destroyer of Worlds.’ But despite the references,...

The Personnel

Robert Shail

Robert Shail is Professor of Film in the Northern Film School at Leeds Beckett University, UK, and formerly Head of Film and Media at the University of Wales, Lampeter. He has published widely on British cinema and the representation of masculinity. Recent publications include 'Anarchy in the UK: Reading Beryl the Peril via Historic Conceptions of Childhood' in the Journal of Graphic Novels and Comics. He was awarded a Leverhulme Fellowship in 2012 to investigate the history of the Children's Film Foundation. Author affiliation details are correct at time of print publication.

Search for publications

The Children's Film Foundation : History and Legacy

British Film Institute, 2016

Book

1

... of the Darkness. Bob Kellett was again liaising from the Foundation’s end. The script started as an idea by the son of the renowned documentary film-maker Edgar Anstey: The original story about the plague was lumpy with no clear narrative line. The idea...