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Provocation and perversity: Lars von Trier’s cinematic anti-philosophy

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

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2

... (in particular, through the use of cliché).See Bonnie Honig and Kori J. Marso “Introduction: Lars von Trier and the ‘Clichés of our Times,’” Theory and Event 18 (2) for an illuminating discussion of von Trier’s ironic exacerbation...

Between Skepticism and Moral Perfectionism: On Cavell’s Melodrama of the Unknown Woman

The Thought of Stanley Cavell and Cinema : Turning Anew to the Ontology of Film a Half-Century after The World Viewed

Bloomsbury Academic, 2020

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2

... Hadot, “There Are Nowadays Professors of Philosophy but no Philosophers,” trans. J. Aaron Simmons, Journal of Speculative Realism 19, no. 3 (2005): 229–37; Pierre Hadot, Philosophy as a Way of Life: Spiritual Exercises from Socrates...
... by Kenneth J. Perkins, Tunisia: Crossroads of the Islamic and European Worlds (Boulder, CO: Westview Press, 1986).Férid Boughedir is best known as the director of Halfaouine (1990): the most successful film ever made in Tunisia, it sold a record...

The Story of the Foundation

Robert Shail

Robert Shail is Professor of Film in the Northern Film School at Leeds Beckett University, UK, and formerly Head of Film and Media at the University of Wales, Lampeter. He has published widely on British cinema and the representation of masculinity. Recent publications include 'Anarchy in the UK: Reading Beryl the Peril via Historic Conceptions of Childhood' in the Journal of Graphic Novels and Comics. He was awarded a Leverhulme Fellowship in 2012 to investigate the history of the Children's Film Foundation. Author affiliation details are correct at time of print publication.

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The Children's Film Foundation : History and Legacy

British Film Institute, 2016

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1

... into the 1940s.See Richards, The Age of the Dream Palace, pp. 58–60 and pp. 67–85. Characteristic of these is an article published in The Times in 1946 written by the sociologist J. P. Mayer. Many of Mayer’s criticisms were the same as had been...

Reporter, Soldier, Detective, Spy

Antonioni : Centenary Essays

British Film Institute, 2011

Book

3

... Falco, let alone a J. J. Hunsecker. He is, of course, also that very European figure of the failed writer, a journalist by accident, disconnected from and disillusioned with himself, with women, his father and the world as a result of his...

Rockumentary

Sound and Music in Film and Visual Media : A Critical Overview

Continuum, 2009

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2

... commercial models’ in Kevin J. H. Dettmar and William Richey (eds), Reading Rock and Roll: Authenticity, Appropriation and Aesthetics. New York: Columbia University Press, 1999, p. 29. Ironically, a central way in which authenticity is used...

“The Smashing, Crashing, Pileup of the Century”: The Carsploitation Film

Grindhouse : Cultural Exchange on 42nd Street, and Beyond

Bloomsbury Academic, 2016

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4

... of the carsploitation cycle was further worn down by big-budget Hollywood car chase comedies like Smokey and the Bandit (Hal Needham, 1977) and its sequels, Used Cars (Robert Zemeckis, 1980), The Cannonball Run (Hal Needham, 1981) and its sequels,...

Dr. “King” Schultz as Ideologue and Emblem: The German Enlightenment and the Legacy of the 1848 Revolutions in Django Unchained

Robert von Dassanowsky

Robert von Dassanowsky is Professor of German and Film, and Carnegie/CASE Professor of the Year (Colorado) at U Colorado, Colorado Springs. Publications include Austrian Cinema: A History; Gale Encyclopedia of Multicultural America (ed); New Austrian Film (ed. w/ Oliver Speck) and Hofmannsthal’s “Der Schwierige” (ed. w/Martin Liebscher). He is also an independent film producer. Author affiliation details are correct at time of print publication.

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book

2

... through the development of racist ideology and the director’s questioning of the relationship between culture, control, and dehumanization was from Michael J. Anderson:The incontrovertibly major Inglourious Basterds indeed provides a point...

Intertextuality

Robert Edgar

,

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

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Steven Rawle

Steven Rawle is a Senior Lecturer in Film Studies at York St. John University, UK, where he teaches film form and the politics of global cultural production at undergraduate and postgraduate levels. Author affiliation details are correct at time of print publication.

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The Language of Film

Fairchild Books, 2015

Book

1

... in contrast to yet another text: a recording of orchestral music by J. S. Bach, as sober, dignified, and balanced as the visual images are twisted and deformed. Texts talk to one another. Such references invite the age-old debate over...

Sound

Robert Edgar

,

Robert Edgar is a Senior Lecturer in Creative Writing in the School of Humanities, Religion and Philosophy at York St John University, with research interests including screenwriting, prose fiction, radio drama, popular music, the practice of film production, short film production and distribution, narratology and the theory and practice of comedy. Author affiliation details are correct at time of print publication.

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John Marland

John Marland is a Senior Lecturer in Literature Studies at York St John University with twenty years of experience using adaptation as an educational tool across a range of the arts and humanities subjects including Literature, Creative Writing and Film & TV Production. Author affiliation details are correct at time of print publication.

Search for publications
and

Steven Rawle

Steven Rawle is a Senior Lecturer in Film Studies at York St. John University, UK, where he teaches film form and the politics of global cultural production at undergraduate and postgraduate levels. Author affiliation details are correct at time of print publication.

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The Language of Film

Fairchild Books, 2015

Book

1

... Place (Michael J. Anderson) always speaks intelligible dialogue, although it’s backward. Other sound effects are also reversed and isolated as there is no atmosphere holding the sounds together. Some shots, such as the eating of creamed...