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Dr. “King” Schultz as Ideologue and Emblem: The German Enlightenment and the Legacy of the 1848 Revolutions in Django Unchained

Robert von Dassanowsky

Robert von Dassanowsky is Professor of German and Film, and Carnegie/CASE Professor of the Year (Colorado) at U Colorado, Colorado Springs. Publications include Austrian Cinema: A History; Gale Encyclopedia of Multicultural America (ed); New Austrian Film (ed. w/ Oliver Speck) and Hofmannsthal’s “Der Schwierige” (ed. w/Martin Liebscher). He is also an independent film producer. Author affiliation details are correct at time of print publication.

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

6

... of the opera’s basic plot with the gender reversed makes the expected point regarding man’s inhumanity to (wo)man.Robert von Dassanowsky, “Introduction: Locating Mr. Tarantino or, Who’s Afraid of Metacinema?” in Quentin Tarantino’s Inglourious...

The Third Reich as Bordello and Pigsty

Robert Von Dassanowsky

Robert von Dassanowsky is Professor of German and Film, and Carnegie/CASE Professor of the Year (Colorado) at U Colorado, Colorado Springs. Publications include Austrian Cinema: A History; Gale Encyclopedia of Multicultural America (ed); New Austrian Film (ed. w/ Oliver Speck) and Hofmannsthal’s “Der Schwierige” (ed. w/Martin Liebscher). He is also an independent film producer. Author affiliation details are correct at time of print publication.

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Nazisploitation! : The Nazi Image in Low-Brow Cinema and Culture

Continuum, 2012

Book chapter

4

... leader’, and that he uses it only to attain power, which he will achieve because he knows all the sexual secrets of Hitler’s inner circle. Again there is a strong intertextual relationship between Berger’s Wallenberg and his Martin von...