Andrew Shail is Senior Lecturer in Film at Newcastle University, UK. He is the author of The Cinema and the Origins of Literary Modernism (2012) and Back to the Future in the BFI Film Classics series (2010, with Robin Stoate); and editor of Reading the Cinematograph (2011), Neurology and Modernity (2010, with Laura Salisbury), and Menstruation: A Cultural History (2005, with Gillian Howie). His articles have appeared in Film History, the Journal of British Cinema and Television, The Senses & Society, Body & Society, Critical Quarterly, and André Gaudreault et al’s Companion to Early Cinema (2012). He is also the co-editor, with Joe Kember, of the journal Early Popular Visual Culture. Author affiliation details are correct at time of print publication.
Robin Stoate is a doctoral candidate in English Literature at Newcastle University, UK. He has contributed articles to the Blackwell Encyclopaedia of Literary and Cultural Theory (2010). Author affiliation details are correct at time of print publication.
...This compelling study places ‘Back to the Future’ in the context of Reaganite America, discusses Robert Zemeckis’s film-making technique and its relationship to the ‘New New Hollywood’, explores the film’s attitudes to teen culture...
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