Loading
Loading
Log In

Results

Sort By:  1-2 of 2 (1 page)
Results per page:
         

The Tenderness of Scissors in Haircut (No. 1)

Roy Grundmann

Roy Grundmann

Search for publications

Warhol in Ten Takes

British Film Institute, 2013

Book

2

...This essay focuses on Andy Warhol’s 1963 film Haircut (No. 1), which depicts a languid, homoerotic haircutting ‘party’ between four men in a Lower East Side apartment. In a sense, the setting of this film is bohemia itself – a unique set...

How Do Audiences Read Films?

Roy Stafford

Roy Stafford is a freelance lecturer and writer based in West Yorkshire, working in film education with independent cinemas. He is co-author, with Gill Branston, of The Media Student's Book (Routledge, 4th edition 2006) and has produced a wide range of film materials for teachers and students. Author affiliation details are correct at time of print publication.

Search for publications

Understanding Audiences and the Film Industry

British Film Institute, 2007

Book

2

... of Brokeback Mountain, Roy Grundmann sets out the case very well: Clearly in evidence is [Larry] McMurtry’s stature as the dean of twilight Westerns – a realist, demystifying subgenre that produced such classics as The Lusty Men (1952),...