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Cinemas, exhibition practices and topographical memories

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

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Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

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Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

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Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

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and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

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Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...The Italian Cinema Audiences (ICA) project has aligned itself with other projects of similar kinds in its findings that memories of cinema venues are stronger and more vivid when compared to memories of films, stars, plots or sets...

Audiences and film genre

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

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Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

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Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...Introduction Film scholars have amply demonstrated that genre is a crucial site for the investigation of the relationship between film industries and audiences. For example, Barry Keith Grant (2007: 20) has claimed that ‘genres...

Narrative imaginings of masculinity through cinema

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

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Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...A part of this chapter was previously published in D. Treveri Gennari, S. Dibeltulo, D. Hipkins, C. O’Rawe, ‘Analysing Memories Through Video-Interviews: A Case Study of Post-War Italian Cinema-going’, in The Routledge Companion to New...

Conclusions

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...In 1948, director Dino Risi made a short film entitled Buio in sala (Darkness in the Cinema, Italy), which shows a depressed man going into a cinema in post-war Milan, sitting down to watch a Western surrounded by courting couples...

‘Back then I believed in the nation – I don’t anymore’: Revisiting the national film canon through audience memories of neorealism

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

2

... delivered at the University of Warwick ‘Rome Open City’ conference in November 2015, where it was presented alongside a video essay created by Sarah Culhane. Some of the key participants’ responses discussed here are visible in that video...

Introduction

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

1

... the analysis throughout this book, the approach applied here also allows for a more reflective style of critique that considers how the ICA’s video interviews fall within the field of visual methodologies. Sarah Pink (2012: 3) notes...

Beyond ‘belle e brave’: Female stars and Italian cinema audiences

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...Some film scholars have turned to ethnographic studies as a way of restoring complexity and contradiction in flesh-and-blood people in contrast to the abstract and often politically dismal pronouncements of apparatus theory.Writing...

Only entertainment?: Memories inside and outside the cinema

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

1

... from metropolitan visitors (Treveri Gennari and Culhane 2019). The expectation, however, was felt not only in the waiting for the film to reach different areas of the cities or provincial parts of the country. The physical journey...

A girl’s-eye view of post-war Italian cinema

Daniela Treveri Gennari

,

Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK, with a research interest in audiences, popular cinema, film exhibition and programming. Amongst her recent publications: the edited volume Rural Cinema Exhibition and Audiences in a Global Context (2018, with Catherine O’Rawe and Danielle Hipkins). Author affiliation details are correct at time of print publication.

Search for publications

Catherine O’Rawe

,

Catherine O’Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is the author of Stars and Masculinities in Contemporary Italian Cinema (2014), co-author (with Jacqueline Reich) of Divi: la mascolinità nel cinema italiano (2015), and has published widely on gender and stardom in Italian post-war and contemporary cinema. Author affiliation details are correct at time of print publication.

Search for publications

Danielle Hipkins

,

Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter, UK. She has published widely on gender representation in postwar Italian cinema, and has recently written Italy’s Other Women: Gender and prostitution in postwar Italian cinema, 1940-1965 (2016) and co-edited Prostitution and Sex Work in Global Cinema: New takes on fallen women (2017). Author affiliation details are correct at time of print publication.

Search for publications

Silvia Dibeltulo

Silvia Dibeltulo is Senior Lecturer in Communication, Media and Culture at Oxford Brookes University, UK, where she previously worked on the AHRC-funded Italian Cinema Audiences project and the BA/Leverhulme-funded European Cinema Audiences project. Her publications the edited volume Rethinking Genre in Contemporary Global Cinema (2018, with Ciara Barrett). Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Culhane

Sarah Culhane is currently a Research Fellow at Oxford Brookes University, UK, working on the Italian Cinema Audiences follow on project, ICAMAP (2017-2018). ICAMAP is an online archive that allows users to explore the history of cinema-going in 1950s Italy. Her publications include ‘Street Cries and Street Fights: Anna Magnani, Sophia Loren and the popolana’ (The Italianist, 2017). Author affiliation details are correct at time of print publication.

Search for publications

Italian Cinema Audiences : Histories and Memories of Cinema-going in Post-War Italy

Bloomsbury Academic, 2020

Book

0

...Cinema influenced my way of being as a woman, it gave me a femininity. Introduction In the opening quotation, one of our interviewees, Alma, asserts the influence of the films she watched as a girl on her development as a woman, in a way...