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Child, Cinema, Dictatorship: Ignacio Agüero’s One Hundred Children Waiting for a Train

Sarah Wright

Sarah Wright is Reader in Hispanic Studies at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

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Childhood and Nation in Contemporary World Cinema : Borders and Encounters

Bloomsbury Academic, 2017

Book

2

... prizes, and an openness towards international co-production, looks set to change. For an analysis of the difficulties facing film-makers in Chile to gain audience and distribution, see my articles: Sarah Wright, ‘Noli me tangere: Memory,...

Dangerous sim crossings

Understanding Machinima : Essays on Filmmaking in Virtual Worlds

Bloomsbury Academic, 2013

Book

2

... of these builds and the films made of them (see the latter’s Cirque de Machinima—Cuckoo Clock (2007) made in MotionBuilder)T. I see something of the Quay Brothers (Street of Crocodiles, 1987) in some of these distorted bodies; Cherry Manga...

The Best Years of Our Lives

Sarah Kozloff

Sarah Kozloff is Professor in the Department of Film, on the William R. Kenan, Jr. Chair, at Vassar College, Poughkeepsie, NY, USA. She is the author of a number of books, including Overhearing Film Dialogue (2000) and Invisible Storytellers: Voice-Over Narration in American Fiction Film (1988). Author affiliation details are correct at time of print publication.

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British Film Institute, 2011

Focused Study

3

Image
... detail, personal memories and a fierce desire to capture its historical moment. Sarah Kozloff’s illuminating study of the film traces the contribution of Wyler (himself injured while serving in the US Air Force), Robert Sherwood’s screenplay,...
... Culture.” Chronicle of Higher Education, April 27, 47 (53), B15. Joe Morgenstern. 1998. “Battle Rages Ahead but Plot Drags Behind in Saving Private Ryan.” Wall Street Journal, July 24, W3. Ian Nathan. 1998. “Apocalypse Then.” Empire, October 12,...

Heritage Crime: The Case of Agatha Christie

Sarah Street

Sarah Street Professor of Film at the University of Bristol. She is the author of a number of books on British cinema, including Colour Films in Britain: The Negotiation of Innovation 1900–55 (2012), and is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Liz Watkins), publications which, in addition to this volume, resulted from a research project funded by the AHRC. Sarah Street is co-editor of Screen and the Journal of British Cinema and Television. Author affiliation details are correct at time of print publication.

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Seventies British Cinema

British Film Institute, 2008

Book

2

...The Mirror Crack’d (1980), a film adaptation of the novel by Agatha Christie, opens with an establishing shot of an old dark house, filmed in black and white. Thunder crashes in the background and the camera zooms in closer. The next shot...

Conclusion

Sarah Street

Sarah Street Professor of Film at the University of Bristol. She is the author of a number of books on British cinema, including Colour Films in Britain: The Negotiation of Innovation 1900–55 (2012), and is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Liz Watkins), publications which, in addition to this volume, resulted from a research project funded by the AHRC. Sarah Street is co-editor of Screen and the Journal of British Cinema and Television. Author affiliation details are correct at time of print publication.

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Deborah Kerr

British Film Institute, 2018

Book

0

...This book has concentrated on Kerr's performances, their variety and cumulative expression of a star's consummate professionalism. Although her photogenic qualities identified her early on as a screen star, she was never complacent. As we...

The ambitious girl and the British sports film

Sarah Hill

Sarah Hill is Early Career Academic Fellow in the School of Arts and Cultures at Newcastle University, UK. Her research interests include British cinema, feminist media studies, female authorship and girlhood Author affiliation details are correct at time of print publication.

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Young Women, Girls and Postfeminism in Contemporary British Film

Bloomsbury Academic, 2020

Book

1

... Chalet Girl and Fast Girls whose narratives centre around street dance, snowboarding and athletics, respectively. Like Katharina Lindner, I include dance as a form of sport because in these films, dance, like other forms of sport,...

Epilogue

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book

1

... to be known as 4D cinema and are delivered within small venues that have begun to emerge at entertainment complexes, in the high street and at amusement parks.4D Cinema is not an area that has not been covered within this book. For further...

Persona

James Mason

British Film Institute, 2018

Book

1

... to filming: He was not the clean shaven, bowler-hatted gentleman in impeccable Bond Street attire I had expected. He had long unkempt hair, wore a casual shirt and trousers that looked like they had been slept in for a month … I had to assume he...

The 1940s

Sarah Street

Sarah Street Professor of Film at the University of Bristol. She is the author of a number of books on British cinema, including Colour Films in Britain: The Negotiation of Innovation 1900–55 (2012), and is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Liz Watkins), publications which, in addition to this volume, resulted from a research project funded by the AHRC. Sarah Street is co-editor of Screen and the Journal of British Cinema and Television. Author affiliation details are correct at time of print publication.

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Transatlantic Crossings : British Feature Films in the United States

Bloomsbury Academic, 2002

Book

1

... was intended to offset Britain’s acute dollar shortage. Rank attempted to fill the resulting product shortage, and the dispute was settled by the March 1948 Anglo-American Film Agreement which devised a ‘blocked earnings’ solution. See Street...