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Film and Photography

Italian Cinema from the Silent Screen to the Digital Image

Bloomsbury Academic, 2020

Book

3

... (Thomas) is a high-powered fashion photographer whose studio is visited daily by hordes of beautiful young models. But once Thomas leaves his studio, it is clear that he is likewise drawn to the quotidian: the humble inhabitants of a community...

Epilogue

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book

1

... and impacted upon the integrity of the original film. Prefigured upon a commercial rubric, as Thomas Elsaesser stated:Besides the technical reasons, the serial had an institutional function: to bind the spectator to a particular mode...

Persona

James Mason

British Film Institute, 2018

Book

1

... the transatlantic journey of stars, filmmakers and other artists (Thomas 2012). The historical and cultural analysis of exiles and émigrés is a popular approach to studies of national and transnational cinemas, and as James Morrison’s comments...

The 1940s

Sarah Street

Sarah Street Professor of Film at the University of Bristol. She is the author of a number of books on British cinema, including Colour Films in Britain: The Negotiation of Innovation 1900–55 (2012), and is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Liz Watkins), publications which, in addition to this volume, resulted from a research project funded by the AHRC. Sarah Street is co-editor of Screen and the Journal of British Cinema and Television. Author affiliation details are correct at time of print publication.

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Transatlantic Crossings : British Feature Films in the United States

Bloomsbury Academic, 2002

Book

1

... campaign. As the distributor of The Red Shoes, Eagle-Lion’s press book recommended tie-ins with a range of merchandisers of shoes; records (Sir Thomas Beecham’s recordings and Brian Easdale’s score for ‘The Red Shoes’ ballet); jewellery; books;...

Power

James Mason

British Film Institute, 2018

Book

1

... opportunities. He made one more film for the (now independent) Zanuck, Island in the Sun (1957), and in 1958 was reportedly offered £500,000 to make ‘an Anglo-American film series based on The Third Man for television’ (Evans and Thomas 1958). The same...

The Business of Emerging Cinema

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book

1

... to as Crowddistribution – these follow in a lineage of alternative independent distribution practices which Julia Knight and Peter Thomas identified as ‘a long tradition of filmmakers and other communities of interest setting up “alternative” distribution...

Performance

James Mason

British Film Institute, 2018

Book

0

...Throughout the previous chapters, Mason’s performances of self have dominated, with his screen roles discussed more broadly in terms of type, star image and ideological meaning. In particular, as seen in Chapter 2, Mason’s screen...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book

1

... with the introduction of sound and The Jazz Singer in 1927, of technicolour with The Wizard of Oz in 1939, and with the third wave of stereoscopic storytellingExplored within Sarah Atkinson, ‘Stereoscopic-3D Storytelling: Rethinking...

Young femininity and the British historical film

Sarah Hill

Sarah Hill is Early Career Academic Fellow in the School of Arts and Cultures at Newcastle University, UK. Her research interests include British cinema, feminist media studies, female authorship and girlhood Author affiliation details are correct at time of print publication.

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Young Women, Girls and Postfeminism in Contemporary British Film

Bloomsbury Academic, 2020

Book

1

... 184. The British film A Royal Night Out (Jarrold 2015) follows teenage princesses Elizabeth (Sarah Gadon) and Margaret (Bel Powley) as they escape from the confines of Buckingham Palace for one night only on V.E. Day in 1945, while...

Introduction

James Mason

British Film Institute, 2018

Book

0

...Halfway through Vivian Kubrick’s behind-the-scenes documentary about her father’s film The Shining (1980), James Mason appears. Dressed in a light grey Victorian suit and accompanied by a small group of friends and family, he introduces...