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Power

James Mason

British Film Institute, 2018

Book chapter

1

... opportunities. He made one more film for the (now independent) Zanuck, Island in the Sun (1957), and in 1958 was reportedly offered £500,000 to make ‘an Anglo-American film series based on The Third Man for television’ (Evans and Thomas 1958). The same...

The Business of Emerging Cinema

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book chapter

1

... to as Crowddistribution – these follow in a lineage of alternative independent distribution practices which Julia Knight and Peter Thomas identified as ‘a long tradition of filmmakers and other communities of interest setting up “alternative” distribution...

Performance

James Mason

British Film Institute, 2018

Book chapter

0

...Throughout the previous chapters, Mason’s performances of self have dominated, with his screen roles discussed more broadly in terms of type, star image and ideological meaning. In particular, as seen in Chapter 2, Mason’s screen...

Epilogue

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book chapter

1

... and impacted upon the integrity of the original film. Prefigured upon a commercial rubric, as Thomas Elsaesser stated:Besides the technical reasons, the serial had an institutional function: to bind the spectator to a particular mode...

Persona

James Mason

British Film Institute, 2018

Book chapter

1

... the transatlantic journey of stars, filmmakers and other artists (Thomas 2012). The historical and cultural analysis of exiles and émigrés is a popular approach to studies of national and transnational cinemas, and as James Morrison’s comments...

The 1940s

Sarah Street

Sarah Street Professor of Film at the University of Bristol. She is the author of a number of books on British cinema, including Colour Films in Britain: The Negotiation of Innovation 1900–55 (2012), and is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Liz Watkins), publications which, in addition to this volume, resulted from a research project funded by the AHRC. Sarah Street is co-editor of Screen and the Journal of British Cinema and Television. Author affiliation details are correct at time of print publication.

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Transatlantic Crossings : British Feature Films in the United States

Bloomsbury Academic, 2002

Book chapter

1

... campaign. As the distributor of The Red Shoes, Eagle-Lion’s press book recommended tie-ins with a range of merchandisers of shoes; records (Sir Thomas Beecham’s recordings and Brian Easdale’s score for ‘The Red Shoes’ ballet); jewellery; books;...

Introduction

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book chapter

1

... with the introduction of sound and The Jazz Singer in 1927, of technicolour with The Wizard of Oz in 1939, and with the third wave of stereoscopic storytellingExplored within Sarah Atkinson, ‘Stereoscopic-3D Storytelling: Rethinking...

The Grammar of Emerging Cinema

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book chapter

1

... windows characteristic of 1990s computingSee Chapter 3 of my thesis, Sarah Atkinson, Telling Interactive Stories: A Practice-Based Investigation into New Media Interactive Storytelling (London: School of Arts, Brunel University, 2009)...

Mobile Cinema

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book chapter

1

... observes: Thomas Watson’s early experiments with the telephone included using the apparatus to try and contact voices from the dead. Bell’s demonstration of the first telephone, were met with skepticism and fear from an audience dislocated...

Extending Cinema

Sarah Atkinson

Sarah Atkinson is Principal Lecturer in Film and Media at the University of Brighton, UK, and an audio-visual arts practitioner undertaking explorations into new forms of fictional and dramatic storytelling in visual and sonic media. Author affiliation details are correct at time of print publication.

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Beyond the Screen : Emerging Cinema and Engaging Audiences

Bloomsbury Academic, 2014

Book chapter

1

... This chapter draws on a number of case studies in order to capture these fleeting fictional manifestations, which by their nature are inextricably and temporally attached to a release date, belonging to a time-based campaign, which Thomas...