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Introduction to Part One

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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The War Body on Screen

Continuum, 2008

Book chapter

4

... of warfare in and through marked flesh. Vision and the technologies of vision play a key part in this cultural centering of the war body.In his essay, “When Planes Fall Out of the Sky: The War Body on Screen,” Sean Redmond argues that the war...

Introduction to Part Three

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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The War Body on Screen

Continuum, 2008

Book chapter

2

...Osama bin Laden (http://itscool.com/images/OsamaBinLaden_blackwhite.jpg)According to dominant Western political discourse, the body of the terrorist is an elusive thing. It trains in secret; goes undercover; impossibly hides itself...

The Whiteness of David Bowie

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Enchanting David Bowie : Space/Time/Body/Memory

Bloomsbury Academic, 2015

Book chapter

2

...Introduction David Bowie has been a figure that has readily drawn attention to both the empowering symbolic markers of whiteness, and to the contradictory ways in which it is embodied. On the one hand, Bowie’s ‘hyper whiteness’ (Bonnett...

When Planes Fall Out of the Sky

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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The War Body on Screen

Continuum, 2008

Book chapter

4

... Embodiment, and the Senses. New York: Duke University Press. Allison McCracken. 2004. “Lost.” Flow 1, no. 4, http://www.jot.communication.utexas.edu/flow/?jot=view&id=481 (accessed July 27, 2007). Sean Redmond. 2004. Liquid Metal: The Science...

Shaping Abstractions: Eye Tracking Experimental Film

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Jodi Sita

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

3

... and movement, continuity editing and synchronous and diegetic sound (see Redmond and Batty 2015; Smith 2012; Robinson, Stadler and Rassell 2015). These are all elements central to the processes, drives and operations of narrative film...

Introduction

Karen Randell

Karen Randell is a Principal Lecturer in Film at Southampton Solent University, UK where she is Programme Leader for Film and Television. She teaches contemporary cinema and film history and her research interests include: war genre, trauma, masculinity and early cinema. She is published on trauma in film in Art in the Age of Terrorism (London: Holberton Publication: 2005) and in SCREEN. She is co-editor(with Sean Redmond) of The War Body on Screen (Continuum, NY: 2008) and Screen Methods: Comparative Readings in Film Studies (Wallflower Press: 2005) with Jacqueline Furby. Author affiliation details are correct at time of print publication.

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Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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The War Body on Screen

Continuum, 2008

Book chapter

2

...World Trade Center ExplosionThe body is a big sagacity, a plurality with one sense, a war and a peace, a flock and a shepherd.The War Body on Screen is principally concerned with the way the body, individual and social, is employed to make...

Introduction: The Blackest and Whitest of Swans

Tessa Dwyer

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Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

4

... process – the anatomical vision of the ‘meat and bones’ body and brain rather than the metaphysical consciousness. But, as Sean Redmond and Craig Batty have written elsewhere, looking is also always ‘connected to culture, discourse and ideology,...

Seeing, Sensing Sound

Andrea Rassell

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Andrea Rassell

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Jenny Robinson

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Jenny Robinson

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Darrin Verhagen

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Darrin Verhagen

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Sarah Pink

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Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Jane Stadler

Jane Stadler is Senior Lecturer in Film and Television at the School of English, Media Studies, and Art History at the University of Queensland. She is co-editor of Pockets of Change (with Tricia Hopton, Adam Atkinson, and Peta Mitchell, 2011), co-author of Media and Society (with Michael O'Shaughnessy, 2012) and Screen Media (with Kelly McWilliam, 2009), and has published journal articles on phenomenology, ethics, aesthetics, identity, and screen landscapes. Author affiliation details are correct at time of print publication.

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Making Sense of Cinema : Empirical Studies into Film Spectators and Spectatorship

Bloomsbury Academic, 2016

Book chapter

3

... there has been the exploration of film sound in terms of genre. Film horror (Brophy 1986), science fiction (Redmond 2011; Whittington 2009), and the musical (Altman 1981; Dyer 2002) have all been examined in terms of their particular soundscapes....