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A generational spectrum of global Korean auteurs: Political matrix and ethical potential

Seung-hoon Jeong

Seung-hoon Jeong is Assistant Professor of Cinema Studies at New York University Abu Dhabi. He wrote Cinematic Interfaces: Film Theory After New Media and co-translated Jacques Derrida’s Acts of Literature into Korean (both 2013). Author affiliation details are correct at time of print publication.

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

2

...The “386” generation as collective auteur In order to conduct a case study on how twenty-first century cinema has contributed to the development of political sensitivity in a local setting of immanent globality, I consider four contemporary...

Introduction

Seung-hoon Jeong

Seung-hoon Jeong is Assistant Professor of Cinema Studies at New York University Abu Dhabi. He wrote Cinematic Interfaces: Film Theory After New Media and co-translated Jacques Derrida’s Acts of Literature into Korean (both 2013). Author affiliation details are correct at time of print publication.

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and

Jeremi Szaniawski

Jeremi Szaniawski is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

4

... auteurs, the generational approach subjectively engages in making them a collective auteur—a critical creature. In this manner, Seung-hoon Jeong projects globally-known South Korean auteurs through the prism of the so-called “386 generation,”...