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Biopolitical Abjection and Sexuation: Stanley Kubrick’s Political Films

Seung-hoon Jeong

Seung-hoon Jeong is Assistant Professor of Cinema Studies at New York University Abu Dhabi. He wrote Cinematic Interfaces: Film Theory After New Media and co-translated Jacques Derrida’s Acts of Literature into Korean (both 2013). Author affiliation details are correct at time of print publication.

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After Kubrick : A Filmmaker’s Legacy

Bloomsbury Academic, 2020

Book

4

... of Resistance. New York: Verso. Seung-hoon Jeong. 2019. “Snowpiercer (2013): The Post-Historical Catastrophe of a Biopolitical Ecosystem,” in Sangjoon Lee (ed.), Rediscovering Korean Cinema. Ann Arbor: University of Michigan Press, 486–501....

A generational spectrum of global Korean auteurs: Political matrix and ethical potential

Seung-hoon Jeong

Seung-hoon Jeong is Assistant Professor of Cinema Studies at New York University Abu Dhabi. He wrote Cinematic Interfaces: Film Theory After New Media and co-translated Jacques Derrida’s Acts of Literature into Korean (both 2013). Author affiliation details are correct at time of print publication.

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book

2

...The “386” generation as collective auteur In order to conduct a case study on how twenty-first century cinema has contributed to the development of political sensitivity in a local setting of immanent globality, I consider four contemporary...

Introduction

Seung-hoon Jeong

Seung-hoon Jeong is Assistant Professor of Cinema Studies at New York University Abu Dhabi. He wrote Cinematic Interfaces: Film Theory After New Media and co-translated Jacques Derrida’s Acts of Literature into Korean (both 2013). Author affiliation details are correct at time of print publication.

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and

Jeremi Szaniawski

Jeremi Szaniawski is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the editor of Directory of World Cinema: Belgium and the author of The Cinema of Alexander Sokurov: Figures of Paradox (both 2014), as well as the translator, into French, of Thomas Elsaesser’s and Malte Hagener’s Film Theory: An Introduction Through the Senses (2011) and Alexander Sokurov’s V tsentre okeana (2015). Author affiliation details are correct at time of print publication.

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book

4

... auteurs, the generational approach subjectively engages in making them a collective auteur—a critical creature. In this manner, Seung-hoon Jeong projects globally-known South Korean auteurs through the prism of the so-called “386 generation,”...