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The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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Klāra Brūveris

Klāra Brūveris

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Childhood and Nation in Contemporary World Cinema : Borders and Encounters

Bloomsbury Academic, 2017

Book

3

...The original research for this chapter was funded by the Australian Research Council. We thank anonymous readers as well as Child and Film Network colleagues for their assistance in shaping the paper.In August and September 1987...

Introduction: Nation, Film, Child

Stephanie Hemelryk Donald

,

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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Emma Wilson

Emma Wilson is Professor of French Literature and the Visual Arts at Corpus Christi College, Cambridge, UK. Author affiliation details are correct at time of print publication.

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Sarah Wright

Sarah Wright is Reader in Hispanic Studies at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

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Childhood and Nation in Contemporary World Cinema : Borders and Encounters

Bloomsbury Academic, 2017

Book

6

... to make us register surprise and shock, and to justify a larger national narrative of victimhood and recrimination. When what is at stake is a disputed narrative – and we think here, in this book, of Stephanie Hemelryk Donald and Klāra...

Little Moth and The Road: precarity, immobility and inertia

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

3

... and Cultural Politics in the Work of Dai Jinhua, London: Verso, pp. 213–34; See also Donald Hemelryk Stephanie, ‘Global Beijing: The World is a violent place’, in C.P. Lindner (ed.) (2010), Globalization, Violence and the Visual Culture...

Introduction

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

3

... original edn., London: Routledge Curzon, pp. 261–74; and Donald Hemelryk Stephanie (2001), ‘History, entertainment, education and jiaoyu: a Western Australian perspective on Australian children’s media, and some Chinese alternatives’,...

The Leaving of Liverpool: Empire and religion, poetry and the archive

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

1

... was pressing. On 12 June 1897 Chilton Thomas’ colleague, the President of the St Vincent de Paul Society and original founder of the House for Working Boys, P.E.J. Hemelryk, along with the Chairman of the Incorporated Chamber of Commerce, F.C. Danson,...

The Dorothy Complex

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

1

... Junyi’s Left Behind Children’, in Donald Wilson and >Wright (eds), Childhood and Nation in Contemporary World Cinema: Borders and Encounters, New York: Bloomsbury, pp. 215–24. There is no easy solution either to their drive to migrate and catch...

Landscape in the Mist

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

0

...One At the very end of Theo Angelopoulos’ Landscape in the Mist (Τοπίο στην Ομίχλη, 1988) two children climb from a small boat and run towards a tree on a hill shrouded in mist. We think that they are dead; we’ve just heard shots...

Once My Mother, Welcome and Le Havre: breath and the child cosmopolitan

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

4

... Cosmopolitanism is the ordinary, difficult task of remaining a stranger whilst almost ‘fitting in’.Donald Hemelryk Stephanie, Kofman Eleonore and Kevin Catherine (2012), ‘Processes of Cosmopolitanism and Parochialism,’ in Donald et al. (eds),...

Afterword: where have all the children gone?

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

0

...It is only in a land where the spaces of states will have been perforated and topologically deformed, and the citizen will have learned to acknowledge the refugee that he himself is, that man’s political survival today is imaginable.Agamben...

The Red Balloon and Squirt’s Journey: story-telling with child migrants

Stephanie Hemelryk Donald

Stephanie Hemelryk Donald is incoming Distinguished Professor of Film at the University of Lincoln and visiting Distinguished Professor at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Her research covers film, the media, childhood, migration and Chinese visual culture. She is co-editor of Inert Cities: Globalization, Mobility and Suspension in Visual Culture (I.B.Tauris, 2014), among other publications. Author affiliation details are correct at time of print publication.

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There’s No Place Like Home : The Migrant Child in World Cinema

I.B. Tauris, 2018

Book

3

... that children’s film cannot exist.Donald Hemelryk Stephanie (2000), Public Secrets, Public Spaces: Cinema and Civility in China, Lanham: Rowman and Littlefield, p. 49. Their claims are logical but also idealistic and open to dispute. Certainly some...