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Television Work—1964-1985

Susan Hayward

Susan Hayward is Professor of French at the University of Exeter. She is the author of Cinema Studies: The Key Concepts (2000) and co-editor of French Film: Texts and Contexts (2000). Author affiliation details are correct at time of print publication.

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Simone Signoret : The Star as Cultural Sign

Continuum, 2004

Book chapter

0

...SIgnoret’s First television appearance was in 1964 in a forty-five-minute documentary she made with the filmmaker and photographer William Klein. Entitled Aux grands magasins/In the Department Stores, it was part of the series entitled Les...

Postwar Films—1946–1951

Susan Hayward

Susan Hayward is Professor of French at the University of Exeter. She is the author of Cinema Studies: The Key Concepts (2000) and co-editor of French Film: Texts and Contexts (2000). Author affiliation details are correct at time of print publication.

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Simone Signoret : The Star as Cultural Sign

Continuum, 2004

Book chapter

0

...IN DISCUSSING Signoret’s postwar films, it is worth considering her star persona against that of the Italian Anna Magnani, the icon of Italian Neorealism because this tells us something about national identity and the codes of femininity...

The Actorly Body and the Body Political

Susan Hayward

Susan Hayward is Professor of French at the University of Exeter. She is the author of Cinema Studies: The Key Concepts (2000) and co-editor of French Film: Texts and Contexts (2000). Author affiliation details are correct at time of print publication.

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Simone Signoret : The Star as Cultural Sign

Continuum, 2004

Book chapter

1

... the postwar period were clear indications of a masculinity and a nation in crisis (Allégret’s Manèges is but one example of this).For a more detailed analysis of this idea of masculinity in crisis, see Leahy and Hayward (2000, 77–88)....

Working the International Scene—1960–1968

Susan Hayward

Susan Hayward is Professor of French at the University of Exeter. She is the author of Cinema Studies: The Key Concepts (2000) and co-editor of French Film: Texts and Contexts (2000). Author affiliation details are correct at time of print publication.

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Simone Signoret : The Star as Cultural Sign

Continuum, 2004

Book chapter

0

...BY 1960, Signoret had been consecrated an international star. B Having won the Oscar for Best Actress for Room at the Top, her career, for all intents and purposes, should have taken off in meteoric fashion. Within the French context, she...

Signoret’s Theater Work

Susan Hayward

Susan Hayward is Professor of French at the University of Exeter. She is the author of Cinema Studies: The Key Concepts (2000) and co-editor of French Film: Texts and Contexts (2000). Author affiliation details are correct at time of print publication.

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Simone Signoret : The Star as Cultural Sign

Continuum, 2004

Book chapter

0

...SIMONE SIGNORET is known primarily for her film work. However, on three occasions she took to the stage: twice in Paris (at the Théâtre Sarah Bernhardt, now known as the Théâtre de la Ville) and once in London at the Royal Court Theatre...

The monstre sacré Returns to the French Screen—1969-1982

Susan Hayward

Susan Hayward is Professor of French at the University of Exeter. She is the author of Cinema Studies: The Key Concepts (2000) and co-editor of French Film: Texts and Contexts (2000). Author affiliation details are correct at time of print publication.

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Simone Signoret : The Star as Cultural Sign

Continuum, 2004

Book chapter

1

... with equal rights and abortion rights.See Hayward (2001, 107). She was also a woman who was obsessed by memory, which, of course, is what the film is about—how memory is kept alive by passing on knowledge—which, in this film, appears to be very...

Trajectory to International Stardom—1952–1959

Susan Hayward

Susan Hayward is Professor of French at the University of Exeter. She is the author of Cinema Studies: The Key Concepts (2000) and co-editor of French Film: Texts and Contexts (2000). Author affiliation details are correct at time of print publication.

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Simone Signoret : The Star as Cultural Sign

Continuum, 2004

Book chapter

1

... with Susan Brown’s teenage lack of sexual knowledge. To the older woman’s depth of feeling based on lived experience contrasts the younger woman’s superficially adult airs and naiveté about love and sex. This is made eminently clear...

Signoret, a Life—Chronotopes or Topographies of Space and Time

Susan Hayward

Susan Hayward is Professor of French at the University of Exeter. She is the author of Cinema Studies: The Key Concepts (2000) and co-editor of French Film: Texts and Contexts (2000). Author affiliation details are correct at time of print publication.

Search for publications

Simone Signoret : The Star as Cultural Sign

Continuum, 2004

Book chapter

1

... the market—70 percent of the films shown in France were American.Hayward (1993, 25–26). Film stars and related personnel protested against these agreements by demonstrating in the streets of Paris. Simone Signoret can be seen in news footage...