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Passing Time: Eye Tracking Slow Cinema

Tessa Dwyer

Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

3

... culture around the pragmatics and politics of translation (see Dwyer 2017). In this regard, slow cinema tends to follow in the footsteps of much art cinema, often engaging with cultural difference and translation on a thematic or narrative...

Introduction: The Blackest and Whitest of Swans

Tessa Dwyer

,

Tessa Dwyer is Lecturer, Film and Screen Studies at the School of Culture and Communication at Monash University, Caulfield Campus, Australia. Her publications include contributions in the edited collections Locating the Voice in Film, Contemporary Publics, State of Post-Cinema, and journals across the disciplines of Screen Studies, Translation Studies and Cultural Studies. Her most recent publication appeared in A Reader in International Media Piracy. Author affiliation details are correct at time of print publication.

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Claire Perkins

Claire Perkins is Senior Lecturer in Film and Screen Studies in the School of Media, Film and Journalism at Monash University, Australia. She is the author of American Smart Cinema (2012), and co-editor of U.S Independent Film After 1989: Possible Films (2015), B is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2014). Author affiliation details are correct at time of print publication.

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Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

4

... that uncovers both limitations and new possibilities within eye-tracking research. Atkinson foregrounds themes echoed in following chapters within this book, especially those by Tessa Dwyer and Claire Perkins, Sean Redmond and Jodi Sita, and Lauren...

Discordant Faces, Duplicitous Feelings: The Eye’s Affective Lures of Drive

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

0

...Silence is like gold. In terms of cinema from a story perspective, silence forces the audience to engage more, because if they’re not being told what to think, then they have to put in the subliminal elements. I love that personally and I...

Invisible Rhythms: Tracking Aesthetic Perception in Film and the Visual Arts

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

2

... that has been undertaken for this book by Claire Perkins and Tessa Dwyer in their analysis of slow cinema. Aesthetic attention describes how the viewer develops an attentiveness to the play of appearances over time, and if eye tracking...

Using Eye Tracking and Raiders of the Lost Ark (1981) to Investigate Stardom

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

0

...Acknowledging the impossibility for a viewer to maintain focus on a whole screen at any one time, an emerging body of work uses eye-tracking experiments to investigate viewer responses to film texts by determining where traditional filmic...

Shaping Abstractions: Eye Tracking Experimental Film

Sean Redmond

Sean Redmond is Associate Professor in Media and Communication at Deakin University in Melbourne, Australia. He is editor of the journal Celebrity Studies, author of The Cinema of Takeshi Kitano: Flowering Blood (2013), andCelebrity and the Media (2013). Author affiliation details are correct at time of print publication.

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Jodi Sita

Jodi Sita is Senior Lecturer in Anatomy and Neurosciences in the School of Allied Health at Australian Catholic University, Australia. She is a neuroscientist, health scientist, and eye-tracking expert, heading the eye-tracking laboratory at Australian Catholic University.. Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

0

...Introduction It can be argued that a great deal of eye tracking the moving-image research has concentrated on examining mainstream, narrative-driven film and television texts. As William Brown observes, eye-tracking research has up until...

Audiences as Detectives: Eye Tracking and Problem Solving in Screen Mysteries

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

0

...The mystery genre has experienced a recent resurgence in screen media, from teen noirs Veronica Mars (2004–2007, 2014) and Pretty Little Liars (2010–present), teen slasher Scream (2015–present), to the many adaptations of Sherlock Holmes...

A Proposed Workflow for the Creation of Integrated Titles Based on Eye-Tracking Data

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

0

...Introduction Abusive, creative, hybrid and integrated are just some of the many terms that have emerged in past years to describe new kinds of subtitles – titles that appear all over the screen, that imitate or contrast with the film...

Eye Tracking, Subtitling and Accessible Filmmaking

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

1

... to narrative and popular Hollywood cinema, but it may be different in slow and experimental cinema, as discussed in Dwyer and Perkins (this book). Viewers are thus more likely to be busy reading a subtitle when the shot changes, which would...

Looking at Sound: Sound Design and the Audiovisual Influences on Gaze

Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

0

...Watching a film extends beyond simply viewing a visual sequence, it is an immersive audiovisual experience that engages both senses (and may invoke others; Sobchack 2000) in order to entertain, inform and transport its audience to narrative...