Loading
Loading

Results

Sort By:  1-10 of 17 (2 pages)
Results per page:
         

‘Europe’

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

2

... a category where Asian and Latin American countries are now leading. See Thomas Elsaesser, ‘European Cinema as World Cinema: A New Beginning?’, in European Cinema Face to Face with Hollywood (Amsterdam:...

Post-heroic Narratives and the Community to Come

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

2

... cinema’, ‘global art cinema’ or ‘international festival cinema’. Thomas Elsaesser, ‘European Cinema as World Cinema: A New Beginning?’, in European Cinema Face to Face with Hollywood (Amsterdam: Amsterdam...

A Cinema of Abjection?

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

2

... symbolic order (of society, the family, and the subject) that is threatened by abject (deformed, boundless, disfigured) bodies in horror films.’ Thomas Elsaesser and Malte Hagener, Film Theory: An Introduction through the Senses...

Metropolis

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

British Film Institute, 2012

BFI Film Classics

4

Image
... of New York, created a whole new vision of cities. One of the greatest works of science fiction, the film also tells human stories about love and family. Thomas Elsaesser explores the cultural phenomenon of Metropolis: its different versions...

Control, Creative Constraints and Self-Contradiction

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

2

... steering the scope of interpretations and forms of (fan-) appropriation thanks to a combination of (textual) structured ambiguity and (paratextual) feedback loops. Thomas Elsaesser, The Persistence of Hollywood...

The global author: Control, creative constraints, and performative self-contradiction

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

4

... of interpretations and forms of (fan-)appropriation thanks to a combination of (textual) structured ambiguity and (paratextual) feedback loops.Thomas Elsaesser, The Persistence of Hollywood (New York: Routledge, 2013), 319–40. By way of example, I...

Claire Denis, Jean-Luc Nancy and Beau Travail

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

0

...Claire Denis is both marginal and central to French cinema as a national cinema. Marginal, in that her autobiographical background is quintessentially postcolonial; she was brought up in the parts of North Africa that feature...

Introduction

Thomas Austin

Thomas Austin is Reader in Media & Film at the University of Sussex, UK. He is the author of Hollywood, Hype and Audiences: Selling and Watching Popular Film in the 1990s (2002) and Watching the World: Screen Documentary and Audiences (2007); and co-editor of Contemporary Hollywood Stardom (2003) and Rethinking Documentary: New Perspectives, New Practices (2008). Author affiliation details are correct at time of print publication.

Search for publications

The Films of Aki Kaurismäki : Ludic Engagements

Bloomsbury Academic, 2018

Book chapter

3

... These performances of self can also be approached via Thomas Elsaesser’s notion of a ‘paradoxical kind of autonomy and agency’ that is key to the functioning of auteurs in a globalized marketplace....

Film as Thought Experiment

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

2

... I called ‘productive pathologies’, designating a new socially useful form of agency and identity that was predicated on states of body and mind that are usually considered pathologies or afflictions. See Thomas Elsaesser, ‘The...

European Cinema into the Twenty-first Century

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

2

... of self-importance by positioning itself ‘face-to-face’ with the Other. For a more detailed assessment of these issues, see Thomas Elsaesser, European Cinema: Face to Face with Hollywood (Amsterdam: Amsterdam University...