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Metropolis

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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British Film Institute, 2012

Focused Study

4

Image
... of New York, created a whole new vision of cities. One of the greatest works of science fiction, the film also tells human stories about love and family. Thomas Elsaesser explores the cultural phenomenon of Metropolis: its different versions...

The global author: Control, creative constraints, and performative self-contradiction

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book

4

... of interpretations and forms of (fan-)appropriation thanks to a combination of (textual) structured ambiguity and (paratextual) feedback loops.Thomas Elsaesser, The Persistence of Hollywood (New York: Routledge, 2013), 319–40. By way of example, I...

Introduction

Thomas Austin

Thomas Austin is Reader in Media & Film at the University of Sussex, UK. He is the author of Hollywood, Hype and Audiences: Selling and Watching Popular Film in the 1990s (2002) and Watching the World: Screen Documentary and Audiences (2007); and co-editor of Contemporary Hollywood Stardom (2003) and Rethinking Documentary: New Perspectives, New Practices (2008). Author affiliation details are correct at time of print publication.

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The Films of Aki Kaurismäki : Ludic Engagements

Bloomsbury Academic, 2018

Book

3

... These performances of self can also be approached via Thomas Elsaesser’s notion of a ‘paradoxical kind of autonomy and agency’ that is key to the functioning of auteurs in a globalized marketplace....

Film as Thought Experiment

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book

2

... I called ‘productive pathologies’, designating a new socially useful form of agency and identity that was predicated on states of body and mind that are usually considered pathologies or afflictions. See Thomas Elsaesser, ‘The...

European Cinema into the Twenty-first Century

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book

2

... of self-importance by positioning itself ‘face-to-face’ with the Other. For a more detailed assessment of these issues, see Thomas Elsaesser, European Cinema: Face to Face with Hollywood (Amsterdam: Amsterdam University...

Black Suns and a Bright Planet

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book

2

... ‘mind-game films’. Thomas Elsaesser, ‘The Mind-Game Film’, in Warren Buckland (ed.), Puzzle Films: Complex Storytelling in Contemporary Cinema (Hoboken, NJ: Wiley-Blackwell, 2009),...

Film as Thought

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book

2

... an indispensable source for the new film historiography and media archaeology Thomas Elsaesser, Film History as Media Archaeology (Amsterdam: Amsterdam University Press, 2016). ). What, then, is the agenda...

Anatomy Lesson of A Vanished Country

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book

0

...How aware – and wary – are European directors of the kind of self-exoticism that is often the temptation of an ‘auteur cinema’ showcased at film festivals? On the one hand, auteurs need to assert their artistic autonomy and unique voice...

Haptic Vision and Consumerism: A Moment from Fritz Lang’s Siegfried (1924)

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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Film Moments : Criticism, History, Theory

British Film Institute, 2003

Book

4

... Die Nibelungen. It is more often known simply as Siegfried, as with, for example the two-disc Kino DVD. Perhaps, following a suggestion that I originally made in my book Das Weimarer Kino: Aufgeklärt und Doppelbödig,Thomas Elsaesser, Das...

The Dandy in Hitchcock

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema begun with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema – Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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Alfred Hitchcock : Centenary Essays

British Film Institute, 1999

Book

2

...Not only every generation, but every critic appropriates his or her own ‘Alfred Hitchcock’, fashioned in the mirror of the pleasures or uncanny moments one derives from his films. Most scholars have arrived at their Hitchcock by paying...