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‘Europe’

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University, USA. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema that began with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema - Face to Face with Hollywood (2005) and was given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

1

... a category where Asian and Latin American countries are now leading. See Thomas Elsaesser, ‘European Cinema as World Cinema: A New Beginning?’, in European Cinema Face to Face with Hollywood (Amsterdam:...
... The Banquet of the Officers of the St. George Civic Company (1616), which dominates the rear wall of the dining room, the identification reinforced by the fact that Spica’s gang wears costumes derived from the painting.The uniforms also hint...

Working-class Paris and Post-war Noir: Les Portes de la nuit

Paris in the Cinema: Beyond the Flâneur : Locations, Characters, History

British Film Institute, 2018

Book chapter

2

... film noir, in which Carné had been the central figure during the late 1930s.For a study of post-war French film noir, see Thomas Pillard, Le Film noir français face aux bouleversements de la France d’après-guerre (1946–1960) (Nantes: Editions...

Rührender Achtung: Terrence Malick's Cinematic Neo-Modernity

Terrence Malick : Film and Philosophy

Continuum, 2011

Book chapter

3

... by James Morrison and Thomas Shur (2003); The Cinema of Terrence Malick edited by Hanna Patterson (now in a second edition, 2007); and Terrence Malick by Lloyd Michaels (2009). There are two books on The Thin Red Line alone by Michel Chion...

European Cinema into the Twenty-first Century

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University, USA. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema that began with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema - Face to Face with Hollywood (2005) and was given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

1

...In this troubled world, Western Europe has, in fact, become a fragile island of prosperity, peace, democracy, culture, science, welfare and civil rights. However, erecting walls against the rest of the world may undermine the very...

Anatomy Lesson of A Vanished Country

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University, USA. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema that began with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema - Face to Face with Hollywood (2005) and was given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

1

... Bartleby’s motto asserted also in those protest movements that put no positive demands, famously the Occupy Wall Street movement, and other manifestations of the public sphere, where bodies merely insist on making their presence manifest:...

Black Suns and a Bright Planet

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University, USA. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema that began with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema - Face to Face with Hollywood (2005) and was given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

2

... filmed in typical Dogme style, hand-held camera and fly-on-the wall realism, its unravelling of family bonds and social decorum presented as a pastiche of Thomas Vinterberg’s paradigmatic Festen. The second part, entitled...

The Classic Studio System

The Cinema Book

British Film Institute, 2007

Book chapter

2

... can be dated from around 1930, but its roots lie in the ‘assembly line’ methods of film-making introduced by producers such as Thomas Ince and Mack Sennett as early as 1913–15, in the first attempts at vertical integration by Paramount,...

Post-heroic Narratives and the Community to Come

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University, USA. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema that began with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema - Face to Face with Hollywood (2005) and was given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

Search for publications

European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

1

... cinema’, ‘global art cinema’ or ‘international festival cinema’. Thomas Elsaesser, ‘European Cinema as World Cinema: A New Beginning?’, in European Cinema Face to Face with Hollywood (Amsterdam: Amsterdam...

A Cinema of Abjection?

Thomas Elsaesser

Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University, USA. European Cinema and Continental Philosophy further develops Elsaesser’s approach to national and auteur cinema that began with Fassbinder’s Germany: History Identity Subject (1996), continued with European Cinema - Face to Face with Hollywood (2005) and was given a theoretical turn in Film Theory: An Introduction through the Senses (2010). Author affiliation details are correct at time of print publication.

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European Cinema and Continental Philosophy : Film as Thought Experiment

Bloomsbury Academic, 2019

Book chapter

1

... Floor (2000), Lukas Moodysson’s Container (2006), Joachim Trier’s Oslo 31 August (2011), Thomas Vinterberg’s The Hunt (2012) and Ruben Östlund’s Force Majeure (2014), where the avalanche is a moral...