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Sound Design: The Dancing Shadow

Walter Murch

Walter Murch

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Projections 4 : Film-makers on Film-making

Faber and Faber Limited, 1995

Book

1

...It disappeared long ago, but in 1972 The Window was still there, peering blindly through a veil of dust, thirty-five feet above the floor of Samuel Goldwyn's old Stage 7. I never would have noticed had not Richard pointed it out to me as we...

The Burning Question: Absolute Freedom?

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 1 : A Forum for Film-makers

Faber and Faber Limited, 1992

Book

3

... east!' OK, so we lost the crusades, but wait till the next to last reel when we have the Gulf War. We'll get back at those guys. This movie goes on until we win - or lose! Listen, Boorman and Donohue, you were the ones who gave us licence...

Amy Graham

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 10 : Hollywood Film-makers on Film-making

Faber & Faber Limited, 1999

Book

0

...Mike Figgis: Can you pick out a point in your life when you really thought it would be interesting to be an actor?Amy Graham: I’ve always done plays, since I was very young. In high school I was a little rebellious, so I strayed from...

Salma Hayek

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 10 : Hollywood Film-makers on Film-making

Faber & Faber Limited, 1999

Book

1

... the stupidest thing anyone ever said to you in Hollywood?There are so many. Probably this – I was up for a film, the director Walter Hill really wanted me, it was set on a spaceship. The studio said, ‘A Mexican in space?’What do you think...

Rosanna Arquette

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 10 : Hollywood Film-makers on Film-making

Faber & Faber Limited, 1999

Book

0

...Mike Figgis: Why did you choose, if indeed you did choose, to go into the film business?Rosanna Arquette: My parents were in the theatre. My father was an actor, he was in improvisation groups like The Committee and Second City, so I always...

Jerry Bruckheimer

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 10 : Hollywood Film-makers on Film-making

Faber & Faber Limited, 1999

Book

0

...Mike Figgis: So why did you decide to spend so much of your life making films?Jerry Bruckheimer: You know what it is? I started as a kid going into a theatre, I’m sitting in that dark room, with my hand in my popcorn and my soda next to me,...

Tony Kaye

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 10 : Hollywood Film-makers on Film-making

Faber & Faber Limited, 1999

Book

0

...Mike Figgis: American History X was your first film in Hollywood?Tony Kaye: It’s my first experience of a feature film, which I’ve been training for, getting ready for, for about thirteen or fourteen years.And in that period you’ve been...

Tony Scott

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 10 : Hollywood Film-makers on Film-making

Faber & Faber Limited, 1999

Book

0

...Mike Figgis: So why did you get into film-making?Tony Scott: Because it was part of the process. I started out as a painter, but in the end I felt I wasn’t really fulfilling what I wanted to feel about painting. And then Ridley was doing...

David Freeman

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 10 : Hollywood Film-makers on Film-making

Faber & Faber Limited, 1999

Book

0

...You can go a long way in Hollywood on charm. Careers have been built on it, though it’s a coin best spent by the young. In the not so young, charm, which is the enemy of character, can be an excuse. The English director Robin Antonio, who...

Kenneth Turan

John Boorman

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was ‘Catch Us If You Can’ in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber & Faber's long-running series Projections: Film-makers on Film-making. Author affiliation details are correct at time of print publication.

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Walter Donohue

Walter Donohue

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Projections 10 : Hollywood Film-makers on Film-making

Faber & Faber Limited, 1999

Book

0

...Mike Figgis: The nature of this conversation is a little unusual, because it’s not often that directors and critics sit and talk. Probably a good thing, because the temptation would be to get into a lot of that … stuff. But you have a very...