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Michael Winterbottom: A self-effacing auteur?

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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The Global Auteur : The Politics of Authorship in 21st Century Cinema

Bloomsbury Academic, 2016

Book chapter

3

... Guardian). As Brydon and Coogan travel by car between restaurants, boutique hotels, and monuments that often relate to British poets (William Wordsworth and Samuel Taylor Coleridge loom large in The Trip; Percy Bysshe Shelley, Lord Byron,...

Value and Violence in Django Unchained

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Quentin Tarantino’s Django Unchained : The Continuation of Metacinema

Bloomsbury Academic, 2014

Book chapter

4

... in history.See William Brown, Dina Iordanova, and Leshu Torchin, Moving People, Moving Images: Cinema and Trafficking in the New Europe (St Andrews: St Andrews Film Studies, 2010). However, as per the Marx quotation earlier in this chapter, overt...

In Order to See, You Must Look Away: Thinking About the Eye

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Seeing into Screens : Eye Tracking and the Moving Image

Bloomsbury Academic, 2018

Book chapter

3

... spend carrying out saccades and the fact that the human field of vision can only take in about 3.8 per cent of the average cinema screen, humans only take in about 3.14 per cent of any given film – regardless of content (see Brown 2015; Smith...

Advertising Form, Technological Change and Screen Practices in the USA

Films That Sell : Moving Pictures and Advertising

British Film Institute, 2016

Book chapter

2

... and broadcasting in the nineteenth-century cultures of the scientific demonstration, world’s fair and the so-called ‘spectacular’ displays of outdoor electrical advertising.William Boddy, ‘Early Cinema and Radio Technology in Turn of the Century...

Some Thoughts on Hitchcock’s Authorship

Alfred Hitchcock : Centenary Essays

British Film Institute, 1999

Book chapter

2

... to be the inhabitants of that world.In Hitchcock – The Murderous Gaze I wrote somewhat unappreciatively of Janet Leigh as being in Hitchcock’s eyes (and mine) an ‘ordinary bourgeoise’.William Rothman, Hitchcock – The Murderous Gaze,...

The Iranian Digital Underground, Multitudinous Cinema and the Diegetic Spectator

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book chapter

4

... 125. See also William Brown, ‘Cease Fire: Rethinking Iranian Cinema through its Mainstream’, Third Text, 25:3 (2011), 335–41, and William Brown, ‘There are as Many Paths to the Time-Image as There are Films in the World: Deleuze...

Introduction: What is Non-Cinema?

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book chapter

2

... book, Supercinema: Film-Philosophy for the Digital Age. William Brown, Supercinema: Film-Philosophy for the Digital Age (London: Berghahn, 2013). In that book I tried to demonstrate that there can be philosophical profundity in even ‘vapid’...

Cinema out of Control: These are Not Films

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Non-Cinema : Global Digital Film-making and the Multitude

Bloomsbury Academic, 2018

Book chapter

0

...I ended the last chapter by proposing that the small, the poor and the low have equal value to the big, the rich and the high, perhaps even calling into question the perceived need for value as a concept and its concomitant creation...

Judy’s Plan: A Reading of the ‘Flashback’ Sequence in Vertigo (1958)

Film Moments : Criticism, History, Theory

British Film Institute, 2003

Book chapter

3

... the villainous Elster, this ‘unknown woman’ is a stand-in for Hitchcock.William Rothman, ‘Vertigo: The Unknown Woman in Hitchcock’, Forum for Psychiatry and the Humanities vol. 10, 1987 (reprinted in Joseph H. Smith and William Kerrigan (eds), Images...

Counterfactuals, quantum physics, and cruel monsters in Quentin Tarantino’s Inglourious Basterds

William Brown

William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012). Author affiliation details are correct at time of print publication.

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Quentin Tarantino’s Inglourious Basterds : A Manipulation of Metacinema

Continuum, 2012

Book chapter

2

...Inglourious Basterds (2009) shows us history as it wasn’t. The titular Basterds are a bunch of predominantly American Jews dropped into occupied France, where it is their business to kill Nazis. They discover that a Parisian cinema...