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Of Animals and Men

Yiman Wang

Yiman Wang

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China’s iGeneration : Cinema and Moving Image Culture for the Twenty-First Century

Bloomsbury Academic, 2014

Book

3

... The animals that appear in these documentaries can be preliminarily described as (1) work animals, as depicted in Sand and Sea (Sha yu hai, dir. Kang Jianning 1990), (2) domestic/food animals, as depicted in Three Sisters (San Zimei, dir. Wang...

Remembering a Film and“Ruining” a Film History: On Tian Zhuangzhuang's “Failure” to Remake Spring in a Small Town

Yiman Wang

Yiman Wang

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Violating Time : History, Memory, and Nostalgia in Cinema

Continuum, 2008

Book

2

...Before shooting the film, I felt great pressure. If the original film is already perfect, then what is the point of remaking it? What motivated us to remake the classic? Later I came to realize that I could remake it, or rather, I could...

Star Talk: Anna May Wong’s Scriptural Orientalism and Poly-phonic (Dis-)play

Yiman Wang

Yiman Wang

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The Multilingual Screen : New Reflections on Cinema and Linguistic Difference

Bloomsbury Academic, 2016

Book

4

... and second, and more important, by metaphorically authoring the entire film.”Yiman Wang, “The Art of ‘Screen Passing’—Anna May Wong’s ‘Yellow Yellowface’ Performance in the Art Deco Era,” Camera Obscura 20, no. 3 (2005): 159–91, see 175. To further...

Wartime Cinema

Yiman Wang

Yiman Wang

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The Chinese Cinema Book

British Film Institute, 2011

Book

3

... guns and lighting equipment with search lights.Zheng Yongzhi, ‘Quanguo de yinse zhanshi men qilai’, p. 6. Film-makers were also urged to reduce NG in order to save raw materials for making bullets.Wang Ruiling, in ‘Guanyu guofang dianying...