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Of Animals and Men

China’s iGeneration : Cinema and Moving Image Culture for the Twenty-First Century

Bloomsbury Academic, 2014

Book chapter

3

... The animals that appear in these documentaries can be preliminarily described as (1) work animals, as depicted in Sand and Sea (Sha yu hai, dir. Kang Jianning 1990), (2) domestic/food animals, as depicted in Three Sisters (San Zimei, dir. Wang...
...Before shooting the film, I felt great pressure. If the original film is already perfect, then what is the point of remaking it? What motivated us to remake the classic? Later I came to realize that I could remake it, or rather, I could...

Star Talk: Anna May Wong’s Scriptural Orientalism and Poly-phonic (Dis-)play

The Multilingual Screen : New Reflections on Cinema and Linguistic Difference

Bloomsbury Academic, 2016

Book chapter

4

... and second, and more important, by metaphorically authoring the entire film.”Yiman Wang, “The Art of ‘Screen Passing’—Anna May Wong’s ‘Yellow Yellowface’ Performance in the Art Deco Era,” Camera Obscura 20, no. 3 (2005): 159–91, see 175. To further...

Wartime Cinema

The Chinese Cinema Book

British Film Institute, 2011

Book chapter

3

... guns and lighting equipment with search lights.Zheng Yongzhi, ‘Quanguo de yinse zhanshi men qilai’, p. 6. Film-makers were also urged to reduce NG in order to save raw materials for making bullets.Wang Ruiling, in ‘Guanyu guofang dianying...