Loading
Loading

Results

  • Education Close
Sort By:  1-10 of 63 (7 pages)
Results per page:
         

Conclusion: The role of the historian

Jonathan Stubbs

Jonathan Stubbs is Professor in the Communication Faculty at Cyprus International University, Cyprus. Author affiliation details are correct at time of print publication.

Search for publications

Historical Film : A Critical Introduction

Bloomsbury Academic, 2009

Book chapter

...In this book I have approached historical films in terms of the engagements they make with the past. By way of a conclusion, I will refine this focus slightly to examine the ways in which historical films have engaged with history...

Introduction: Nation, Film, Child

Stephanie Hemelryk Donald

,

Stephanie Hemelryk Donald is Professor of Comparative Film and Culture at University of New South Wales, Australia. Author affiliation details are correct at time of print publication.

Search for publications

Emma Wilson

Emma Wilson is Professor of French Literature and the Visual Arts at Corpus Christi College, Cambridge, UK. Author affiliation details are correct at time of print publication.

Search for publications
and

Sarah Wright

Sarah Wright is Reader in Hispanic Studies at Royal Holloway, University of London, UK. Author affiliation details are correct at time of print publication.

Search for publications

Childhood and Nation in Contemporary World Cinema : Borders and Encounters

Bloomsbury Academic, 2017

Book chapter

...The proposition underlying this book is not only that each of its three organizing concepts – the child, the nation and cinema – can sometimes illuminate unexpected aspects of the other two, but above all that the three taken in conjuncture...

Spatial Computerisation and Film Language

New Screen Media : Cinema/Art/Narrative

British Film Institute, 2002

Book chapter

...This text is adapted from my book, The Language of New Media. Cambridge: MIT Press, 2001. Introduction How does computerisation affect our very concept of moving images? Does it offer new possibilities for film language? Does it lead...

The Big H (2007)

Directed by

Bill Hayes

and

Jeremy Ancock

Written by

Tony Harrison

Screenplay

Image
...The Mathematical Herod On the blank blackness of the blackboard a hand writes TEST. Then we are in a classroom of twenty-eight kids, the fourteen boys we have already seen and the fourteen girls some of whose voices we have heard as Rachel...

‘The Purer Ether of Selective Cinema’: George Kleine, Non-theatrical Cinema and Early Hollywood

Joel Frykholm

Joel Frykholm is Research Associate and Lecturer in the Department of Media Studies at Stockholm University, Sweden. Author affiliation details are correct at time of print publication.

Search for publications

George Kleine and American Cinema : The Movie Business and Film Culture in the Silent Era

British Film Institute, 2015

Book chapter

...Box 44 of the George Kleine Papers at the Library of Congress contains a small file with the subject heading ‘“The Photoplay” by Prof. Munsterberg (Article)’.GKP, Box 44, file ‘“The Photoplay” by Prof. Munsterberg (Article)'. Within...

Graphic Tales: Class, Violence and South Korean Childhood in Sang-Ho Yeon’s The King of Pigs

Childhood and Nation in Contemporary World Cinema : Borders and Encounters

Bloomsbury Academic, 2017

Book chapter

...We seem to be looking at a highly stylized panel from a comic book. There is no movement other than the panning of the camera directing our eye across its harsh graphic lines. The stillness and silence are unnerving. What we see...

Fifth Grade

James Franco

James Franco grew up in the northern California town of Palo Alto. He is an actor, director, screenwriter and artist. His film appearances include Milk, Pineapple Express, the Spider-Man trilogy, Howl, Oz the Great and Powerful, Spring Breakers, and This Is The End. Author affiliation details are correct at time of print publication.

Search for publications

Directing Herbert White : Poems and Prose

Faber & Faber, 2014

Book chapter

After the Feature, Part 2: George Kleine’s Conservatism and the American Motion Picture Industry’s Economy of ‘Recklessness’

Joel Frykholm

Joel Frykholm is Research Associate and Lecturer in the Department of Media Studies at Stockholm University, Sweden. Author affiliation details are correct at time of print publication.

Search for publications

George Kleine and American Cinema : The Movie Business and Film Culture in the Silent Era

British Film Institute, 2015

Book chapter

...In the previous chapter, we explored how the motion picture business in the second half of the 1910s began to change into a winner-takes-all economy. This chapter follows the path to kurtocracy further, by shifting focus away from Kleine...

International Harvester, Business Screen and the History of Advertising Film

Films That Sell : Moving Pictures and Advertising

British Film Institute, 2016

Book chapter

...In adapting motion pictures to the educational work of our advertising, this Company [International Harvester] became a pioneer in the field that has no limits in its advertising possibilities … Our leadership is a beacon for all who...

Citizenship in the Classroom: The Politicization of Child Subjects in Nicolas Philibert’s To Be and To Have and Laurent Cantet’s The Class

Childhood and Nation in Contemporary World Cinema : Borders and Encounters

Bloomsbury Academic, 2017

Book chapter

...The cultural institution of the school is often presumed to function as an entry point for civic engagement with the nation state. The etymological origin of the term ‘nation’ is, in fact, directly associated with childhood, as it invokes...